Patrick Wilson Has a ‘Zipper’ Problem — He’s Addicted to Call Girls

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In the drama Zipper, Sam Ellis (Patrick Wilson) is a successful federal prosecutor on the cusp of a bright political future. He has a happy home and a hot sex life with his smart and beautiful wife Jeannie (Lena Headey). Sam is a moral guy who takes fatherhood and upholding the law seriously. Then, a gorgeous intern (Dianna Agron) kisses him passionately after a work party. Sam had a little too much to drink. He fights temptation and dutifully goes home to his wife. But, his “zipper problem”—a phrase coined during the Bill Clinton presidency—has been teased and awakened.
 The next titillation for Sam occurs while he deposes a sexy witness (Elena Satine) who worked for a high-class escort service named Executive Privilege. Sam already pleasures himself at home with online porn while his unknowing wife sleeps. One weekend his wife and son (Kelton DuMont) go out of town and Sam’s nagging curiosity leads him to call Executive Privilege on a disposable cellphone and inquire about an escort. Mona Fortuna, real-life escort booker and consultant on the film, voices the booker on the phone. She preys on Sam’s ambivalence and easily manipulates him into making an appointment.
Patrick Wilson
Patrick Wilson © Dorri Olds

Sam is vulnerable. He’s shaky with stress as his wife and coworkers push him toward running for political office. His foray into the sex industry comes across as surprisingly empathetic. Who knew that a husband cheating on his loving wife could be sympathetic? But, in Zipper, it is.
The booker baits the hook and the hooker reels him in. Alexandra Breckenridge as Sam’s first $1,000 per hour escort was a brilliant choice of casting. She works him like a pro while also remaining likable. One of the strengths of this film is how few judgments are made. Instead, it is a realistic portrayal of addiction and how a man with so much to lose, gets hooked on hookers.
Sam’s remorse over his indulgence in forbidden fruit is palpable yet it can’t quell his compulsions. What could’ve been a one-time thing morphs into a monkey on his back. It’s like watching the hijacked brain of a cokehead who knows he should stop but can’t.
The Fix caught up with writer/director Mora Stephens.
Have you studied the addict’s brain?
Yes, I’ve long been fascinated by this subject. I’m the daughter of two artists. My father is a writer and recovering alcoholic. He writes eloquently about it so I can talk about it. When I was 12, I went to classes at Smithers rehab with him. I was struck by how addiction changes the brain and how it affects your child’s brain. That was the origin of my approach to this story; looking at a politician like Sam and wondering where it all began and trying to put myself in his shoes.
Here’s this guy who has the potential for addiction; his mother was an alcoholic and he has this porn addiction bubbling under the surface. He’s been afraid of it and repressing it without getting any help for it.
At Sundance, I spoke on a panel called Addiction Fiction, which was sponsored by the Norlien Foundation. The panel was myself with another filmmaker, Jen Newsom, and neuroscientists, psychologists and anthropologists all studying addiction and how it is portrayed in movies. It gave me a whole new perspective looking at the movie from the science of addiction and learning that ritual is very important. I learned even more hearing the scientists talk about how repeating a behavior strengthens connections and circuitry in the brain.
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Available on DVD, Blu-ray & On Demand September 29, 2015. Drama thriller. Rated R. 117 min.

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