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	<title>Elvis and Nixon Archives - Award-Winning Writer and Graphic Designer</title>
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		<title>Johnny Knoxville (Elvis &#038; Nixon) Likes Setting his Co-Stars&#8217; Feet On Fire</title>
		<link>https://dorriolds.com/johnny-knoxville-elvis-nixon-likes-setting-his-co-stars-feet-on-fire/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=johnny-knoxville-elvis-nixon-likes-setting-his-co-stars-feet-on-fire</link>
		
		<dc:creator><![CDATA[dorriolds]]></dc:creator>
		<pubDate>Tue, 27 Dec 2016 17:03:25 +0000</pubDate>
				<category><![CDATA[Celebrities]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Elvis]]></category>
		<category><![CDATA[Elvis and Nixon]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Jerry Schilling]]></category>
		<category><![CDATA[Johnny Knoxville]]></category>
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					<description><![CDATA[<p>a lean 6’1” with a full head of almost-black hair. And has the chiseled face of a GQ cover. He walked in smiling and sure got a kick out of sharing behind-the-scenes pranks. On the off hours during the making of “Elvis &#38; Nixon,” Alex Pettyfer—cast as fellow Memphis Mafia member, Jerry Schilling—apparently played along with Knoxville’s tomfoolery. But, Michael Shannon? Not so much.</p>
<p>The post <a href="https://dorriolds.com/johnny-knoxville-elvis-nixon-likes-setting-his-co-stars-feet-on-fire/">Johnny Knoxville (Elvis &amp; Nixon) Likes Setting his Co-Stars&#8217; Feet On Fire</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>In an exclusive interview, Johnny Knoxville (nee Philip John Clapp) opened up about his character in the hilarious, five-star film, “<a href="http://www.bleeckerstreetmedia.com/elvisandnixon" target="_blank" rel="noopener">Elvis &amp; Nixon</a>.” The actor, who is from Knoxville, Tennessee, plays Sonny West, a friend to Elvis Presley, and member of what the 1960s press dubbed the “Memphis Mafia”—a nickname for Presley and his entourage.</p>
<p>The “Mafia” was made up of a group of friends and employees who worked as bodyguards and mastered tasks like scheduling, and “managing” Presley by ushering him around. They pay was good but the perks were better: brand new cars, beautiful houses, and the sparkle of being in Presley’s inner circle. They wore mohair suits, dark glasses, rode around in limos and carried concealed guns (legally via permits). Presley and his gang enjoyed the nickname, viewing it as an affectionate term.</p>
<p>Knoxville, best known for his gross-out gags in the “Jackass” movies, once told Conan O’Brien he hired a “really good genealogist.” Knoxville was told “In these rural mountain regions you come from, no one ever goes into the community and no one every leaves the community [and] it’s not uncommon that there’s inbreeding in those communities.” There was “a significant amount” of inbreeding in Knoxville’s family.</p>
<p>The 45-year-old actor is striking. He’s a lean 6’1” with a full head of almost-black hair. And has the chiseled face of a GQ cover. He walked in smiling and sure got a kick out of sharing behind-the-scenes pranks. On the off hours during the making of “Elvis &amp; Nixon,” Alex Pettyfer—cast as fellow Memphis Mafia member, Jerry Schilling—apparently played along with Knoxville’s tomfoolery. But, Michael Shannon? Not so much.</p>
<p><strong>Dorri Olds: Did you really set Alex Pettyfer’s foot on fire one night in a bar?</strong></p>
<p><strong>Johnny Knoxville:</strong> Accidentally, yeah, a few times.</p>
<p><strong>A few times?</strong></p>
<p>Yeah.</p>
<p><strong>How does that happen?</strong></p>
<p>I don’t know. We were drinking and I accidentally dropped 151 on his foot and then I accidentally bent down and lit it. He got me back good, though. Like, he doesn’t understand that you just pour a tiny bit, I mean I don’t want anyone to do this. Please don’t do this. But I just poured a tiny bit. He dumped a whole glass on me and [the fire] would not go out for a long time. I had to take my shoe off and throw it out the window and explain to him the nuances of doing something like that.</p>
<p><strong>Was this at like three o’clock in the morning?</strong></p>
<p>[Grins] Nah, nah. It wasn’t. You know, we got started pretty early. I mean we had to, we were in New Orleans.</p>
<p><strong>What can you tell me about the character you played?</strong></p>
<p>I play Sonny West. Sonny was working in an appliance store before Elvis asked him to work for him. To go from that, then move to Hollywood and be on set with Ann Margaret and be around all those movies Elvis was making and Sonny had roles in some of those movies. That really changed his life. I think Sonny was very committed to Elvis. The story is pretty crazy. Elvis just showing up at the White House one morning, with a gun, wanting to meet the President, and he wanted a badge to become a Federal agent at large. That’s so nuts.</p>
<figure id="attachment_8118" aria-describedby="caption-attachment-8118" style="width: 790px" class="wp-caption alignleft"><img data-recalc-dims="1" decoding="async" loading="lazy" class="size-full wp-image-8118" src="https://i0.wp.com/develop.dorriolds.com/wp-content/uploads/2016/12/2.Johnny-Knoxville-Sonny-West.jpg?resize=800%2C450&#038;ssl=1" alt="Johnny Knoxville" width="800" height="450" srcset="https://i0.wp.com/dorriolds.com/wp-content/uploads/2016/12/2.Johnny-Knoxville-Sonny-West.jpg?w=800&amp;ssl=1 800w, https://i0.wp.com/dorriolds.com/wp-content/uploads/2016/12/2.Johnny-Knoxville-Sonny-West.jpg?resize=300%2C169&amp;ssl=1 300w, https://i0.wp.com/dorriolds.com/wp-content/uploads/2016/12/2.Johnny-Knoxville-Sonny-West.jpg?resize=768%2C432&amp;ssl=1 768w, https://i0.wp.com/dorriolds.com/wp-content/uploads/2016/12/2.Johnny-Knoxville-Sonny-West.jpg?resize=600%2C338&amp;ssl=1 600w, https://i0.wp.com/dorriolds.com/wp-content/uploads/2016/12/2.Johnny-Knoxville-Sonny-West.jpg?resize=480%2C270&amp;ssl=1 480w" sizes="auto, (max-width: 800px) 100vw, 800px" /><figcaption id="caption-attachment-8118" class="wp-caption-text">Unrecognizable Johnny Knoxville in Elvis and Nixon.</figcaption></figure>
<p><strong>How did you learn about Sonny? Did you speak with Jerry Schilling who worked as a consultant and executive producer on the film?</strong></p>
<p>Yes. I got to sit down with Jerry Schilling in New Orleans. He was right there with Elvis all those years. I really cherish our meeting, and those drinks we drank, and just hearing all the stories.</p>
<p><strong>Speaking about drinking, do you find it ironic that Elvis was so concerned about the youth of America on drugs when Elvis died from his addictions?</strong></p>
<p>Yeah, I mean the story is just bananas. He brought guns to the White House. I guess his reasoning was, ‘If I get this badge, I can carry guns and pills,’ where ever he wanted.</p>
<p><strong>Maybe Elvis felt like he wasn’t taking drugs because doctors had prescribed them.</strong></p>
<p>Yeah, you know, the train of thought is a little skewed. I see the holes in the thinking.</p>
<p><strong>What did you learn about Elvis that you hadn’t known?</strong></p>
<p>I knew a little about the story of him visiting the White House before this film but I didn’t know the complete story and how crazy the truth of the story was. We didn’t have to do anything different to the story. We didn’t have to add anything because the reality of it was so completely nuts.</p>
<p><strong>Yes, so ripe for humor.</strong></p>
<p>It’s perfect for a movie. You just play it straight. We were true to the story and there’s the comedy. He’s doing karate in front of the President. One of the most stiff [sic] Presidents. Elvis goes in there dressed the way he was. It’s just too good watching Michael Shannon recreate those karate moves for Kevin Spacey as Nixon. I feel very fortunate to be in this movie just to watch those guys act. I mean they’re amazing.</p>
<p><strong>What’s it like working with Michael Shannon? Many have said he keeps to himself. Is that true?</strong></p>
<p>Well, he’s very focused and very intense. And that intensity, that energy, pervades the whole set. It gets everyone as focused as he is. He makes everyone better. I love the guy. I’ve done another movie with him and I absolutely love him, he’s such a character.</p>
<p><strong>Which movie? </strong></p>
<p>It was years ago. It’s called, “Grand Theft Parsons.” Michael is a good soul.</p>
<p><strong>Did he take part in the setting-feet-on-fire thing?</strong></p>
<p>No, we would do dinners. I have a different relationship with Michael than I do with Alex. Alex’s personality lends itself to me doing that to him but Michael and I, well, it’s situational how I go at people. I don’t go at Michael like that. I wouldn’t want to hurt his feelings. And, because he’s a really big guy. [Laughs]</p>
<p><strong>What’s can you say about the Memphis Mafia?</strong></p>
<p>I’m not sure that the people that were in the so-called Memphis Mafia like that term but that was something the press came up with for all of people in the inner circle of Elvis Presley—his bodyguards and people who worked for him but there was no mafia.</p>
<p><strong>In the film, Colin Hanks, Tom Hank’s son, played “Bud” Krogh. Did you spend any time with Krogh who had worked in the White House under Nixon?</strong></p>
<p>Yeah, he was on the set one day when we were all there. I was very glad I got to meet him.</p>
<p><strong>Did he ever interrupt to say, “That’s not how it was.?</strong></p>
<p>No he wouldn’t do that. There were a lot of questions asked of him and he was happy to tell you exactly what happened but he was not that type of person who would interrupt and say, “No, no, no.” Anyway, you just don’t interrupt Michael Shannon. But, yeah, Bud was very helpful and we were all a bit ecstatic to have him there.</p>
<p><strong>And the director?</strong></p>
<p>Liza Johnson’s a great director. I hope to work with her again. I like to shoot what’s on the page and then maybe have a take or two to play around and she would let me do that. It was a loose set.</p>
<p><strong>Were you sorry to see any scenes get cut from the movie?</strong></p>
<p>Some scenes got cut down but I don’t remember any scenes getting cut. I wish people could just see the dailies from Kevin Spacey and Michael Shannon acting in the White House. They’re unbelievable. Maybe that’ll be a DVD extra. Spacey’s improvs are just so… it’s tough to keep a straight face.</p>
<p><strong>Did you study Sonny to nail down the accent?</strong></p>
<p>Well, I’m from Tennessee. I figured I knew how he talked. [Laughs] For a lot of his body language, though I sat down with Jerry Schilling and then I also looked at that photo in the White House and just how he was composed, how he held himself in the pictures. That helped a lot. It’s great when you have source material. Unfortunately, there’s no video of that day but there is video on him. You go on the world wide internet. It is a good tool. [Grins]</p>
<p>&nbsp;</p>
<p>“<a href="http://www.bleeckerstreetmedia.com/elvisandnixon" target="_blank" rel="noopener">Elvis &amp; Nixon</a>” is rated R. 86 min. Comedy, history.</p>
<p>The post <a href="https://dorriolds.com/johnny-knoxville-elvis-nixon-likes-setting-his-co-stars-feet-on-fire/">Johnny Knoxville (Elvis &amp; Nixon) Likes Setting his Co-Stars&#8217; Feet On Fire</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">8113</post-id>	</item>
		<item>
		<title>Elvis Presley Bestie Jerry Schilling</title>
		<link>https://dorriolds.com/elvis-nixon-intimate-convo-presleys-best-bud-jerry-schilling/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=elvis-nixon-intimate-convo-presleys-best-bud-jerry-schilling</link>
		
		<dc:creator><![CDATA[dorriolds]]></dc:creator>
		<pubDate>Tue, 27 Dec 2016 16:36:23 +0000</pubDate>
				<category><![CDATA[Celebrities]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[Elvis and Nixon]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Jerry Schilling]]></category>
		<category><![CDATA[Memphis Mafia]]></category>
		<category><![CDATA[Michael Shannon]]></category>
		<guid isPermaLink="false">https://www.dorriolds.com/?p=8105</guid>

					<description><![CDATA[<p>Dorri Olds met with Elvis Presley close friend Jerry Schilling. An exclusive interview. Topics include Tribeca Film Festival 5-star film Elvis and Nixon. Hilarious send-up re: peculiar piece of 1970 Americana. Elvis Presley (Michael Shannon)<br />
Presley showed up unannounced at White House to ask Nixon to Elvis a federal agent.</p>
<p>The post <a href="https://dorriolds.com/elvis-nixon-intimate-convo-presleys-best-bud-jerry-schilling/">Elvis Presley Bestie Jerry Schilling</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
]]></description>
										<content:encoded><![CDATA[<h3>Exclusive Interview</h3>
<p>Dorri Olds met with Elvis Presley’s long-time close pal <a href="http://www.elvispresleymusic.com.au/pictures/1970-december-21-5.html">Jerry Schilling</a> on Apr. 18 for an exclusive interview about Tribeca Film Festival’s movie, “<a href="http://www.bleeckerstreetmedia.com/elvisandnixon">Elvis and Nixon</a>.” The five-star film is a hilarious send-up about a peculiar piece of 1970 Americana: Elvis Presley flew to our nation’s capital to persuade President Richard Nixon (Kevin Spacey) to deputize him as a federal agent-at-large.<br />
Presley showed up unannounced at the Northwest Gate of the White House with his buddy Jerry Schilling (Alex Pettyfer) and convinced awe-struck guards to hand-deliver Presley’s note to Nixon that requested a sit-down.<br />
White House staffer Egil Krogh (Colin Hanks) is told that Nixon wants nothing to do with the entertainer and especially not during the Prez’s naptime. Shilling and Elvis’ bodyguard Sonny West (Johnny Knoxville) come up with plan B. Presley will sign an autograph for Nixon’s daughter if he will agree to the meeting.<br />
Olds and Schilling met at Tribeca’s Conrad Hotel.<br />
<figure id="attachment_8107" aria-describedby="caption-attachment-8107" style="width: 1190px" class="wp-caption alignleft"><img data-recalc-dims="1" decoding="async" loading="lazy" class="size-full wp-image-8107" src="https://i0.wp.com/www.dorriolds.com/wp-content/uploads/Jerry-Schilling-FB.jpg?resize=825%2C523&#038;ssl=1" alt="Jerry Schilling" width="825" height="523" /><figcaption id="caption-attachment-8107" class="wp-caption-text">Elvis Presley&#8217;s Best Friend Jerry Schilling. ©Dorri Olds</figcaption></figure><br />
<strong>Dorri Olds: What is it like seeing your life reenacted all these years later?</strong><br />
<strong>Jerry Schilling:</strong> It’s pretty strange, you know. It still hasn’t really set in for me. It’s strange. But it’s something I’m very proud of. To be on-screen with my best friend, character-wise, is quite an honor for me. I loved and admired this guy since I was 12-years-old and he was 19. I’ve seen the whole gamut of his career and shared a lot with him. We had a 23-year friendship and a 10-year professional relationship, so it’s quite an honor.<br />
<strong>He seemed like a very complex man. What was the hard part about being his friend?</strong><br />
Wow, that’s a great question. I think, for me, it was to be able to give back the friendship and the professional relationship on a level that he had given me the opportunity to do. I wasn’t satisfied just being one of the guys—which I was thrilled to be. I wanted to be involved in his films and his touring.<br />
I quit working for him a couple of times to just [go pursue those types of things] then he would bring me back in. That was the hardest thing because I think I was the only guy that ever quit working for Elvis. Well, a couple guys got mad but then they came back. I quit for professional reasons. Normally, the relationship was over when that happened—the close relationship.<br />
<strong>Were you afraid you were risking the friendship when you separated from Elvis professionally?</strong><br />
That was the hardest decision I ever made but we kept the relationship. When I wanted to go into film editing, he called me about three weeks later [and said], “Do you do that editing on the weekend?” I said, “No.” He says, “Where are you? I’m coming by to pick you up. We’re going to Palm Springs for the weekend.”<br />
So, yeah, we continued the friendship. But I wasn’t happy doing just that. He was happy with me being there. I picked up and did this and that and worked security, but that wasn’t enough. I didn’t think I was giving back enough for him, nor was I giving back enough for me. That make sense?<br />
<strong>It does. Do you see the irony of Elvis wanting to be a narc for kids on drugs when Elvis is known as a drug addict who self destructed?</strong><br />
I think you have to qualify that and I think it’s very important. Elvis had a prescription problem, there’s no doubt about that, but drug addict? Street drugs? The image of drug related music? That was another thing he was totally against, you know. [Becoming a federal agent] was his way, in his mind, of giving back to the country. He felt a responsibility to rock and roll and he was proud of that. He did not like the new drug-influenced rock and roll, nor was he any part of that.<br />
<figure id="attachment_8110" aria-describedby="caption-attachment-8110" style="width: 790px" class="wp-caption aligncenter"><img data-recalc-dims="1" decoding="async" loading="lazy" class="size-full wp-image-8110" src="https://i0.wp.com/www.dorriolds.com/wp-content/uploads/Schilling-and-Pettyfer.jpg?resize=800%2C450&#038;ssl=1" alt="Elvis and Nixon" width="800" height="450" /><figcaption id="caption-attachment-8110" class="wp-caption-text">Jerry Schilling, Alex Pettyfer</figcaption></figure><br />
<strong>Do you think there was denial about addiction by making a differentiation between alcohol, hard drugs, and prescription drugs?</strong><br />
I think especially back then. I think people are learning more that addiction was addiction, whether you get it in a prescription, a bottle, or on the street. I don’t think we knew that back then. If a doctor gave you something, you thought it was okay. It’s not like he ever bought a drug on the street.<br />
<strong>What can you say about the phrase “</strong><a href="https://en.wikipedia.org/wiki/Memphis_Mafia"><strong>Memphis Mafia</strong></a><strong>”?</strong><br />
We used to go to Vegas before Elvis was really working there a lot. We’d go in a limousine and we had these mohair suits and we carried guns—concealed weapons that we had permits for. A Las Vegas journalist said, “Oh, Elvis and his Memphis Mafia are back in town,” and that stuck. It’s kind of an affectionate term that we liked. We saw a lot of mafia movies. [Smiles]<br />
<strong>What were the threats to his life?</strong><br />
There was one major threat in Las Vegas. Somebody put a menu under Elvis’ door and crossed his face out and wrote backwards so we knew it was a deranged person. [It said,] “I’m going to kill you onstage tonight.”<br />
This is one of the times I wasn’t working for Elvis, I was working in film editing. He called me and said, “I need you to come. I’ll tell you about it when you get here.” He sent a Leer jet for me [to fly me] from Los Angeles to Las Vegas. And the FBI came.<br />
The hotel said he didn’t have to do the show. When I got there he was white and angry. He said, “I’m not going to let any so-and-so dictate my shows. I want you in the orchestra and another one of the guys in the orchestra.” We had guns and the FBI took it really serious. Somebody called and offered $50,000 dollars to one of the guys and said if Elvis would pay he’d tell them what the plot was. There were very serious things like that.<br />
<strong>Wow, very serious. How do you think he went from “Elvis the Pelvis” rebel rock ’n roller to seeking approval from the establishment?</strong><br />
I think Elvis never set out to appeal to one genre of people. He loved all people. The establishment that we are talking about now didn’t like him in the beginning. Elvis was the ultimate liberal. But when he came back from the Army, it changed. He [went] on the show with Frank Sinatra and loved the idea that the people who criticized him, politicians or whatever, now liked him.<br />
Very few people can appeal to both. That’s why he knew what to say to get to Richard Nixon. He would also know what to say to get to John Lennon. Elvis was a very smart, as you said, complex person. He appeared to be just a nice guy but he was very complex.<br />
What I needed to do for myself [was to] be productive. I never thought I could do that with Elvis. I grew up, you know. I was 21 years old when I went to work for him. My aspirations got bigger as I grew up. Luckily, he gave me that opportunity and then incorporated, “Come back to work for me, you can work on my films. Come back to work for me, you can work on my tours.” That gave me the background to be, if you will, a major music manager of the Beach Boys and Jerry Lee Lewis and Billy Joel.<br />
<strong>Jerry Lee Lewis must have been a handful.</strong><br />
You know what? He was pretty good to me. We only had two arguments in seven years.<br />
<strong>Really? Gosh, that’s fantastic.</strong><br />
Yeah, but they were big ones. [Laughs]<br />
<strong>Wish we had more time. Can’t wait to read your book, “</strong><a href="http://www.amazon.com/Me-Guy-Named-Elvis-Friendship/dp/1592403050"><strong>Me and a Guy Named Elvis</strong></a><strong>.”</strong><br />
“Elvis &amp; Nixon” is rated R. 100 min.</p>
<p>The post <a href="https://dorriolds.com/elvis-nixon-intimate-convo-presleys-best-bud-jerry-schilling/">Elvis Presley Bestie Jerry Schilling</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
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