Remembering Robin Williams – Director Dito Montiel opens up about Robin’s last film – Boulevard

dorriolds — Tue, 21 Jul 2020 09:38:33 +0000

In the movie “Boulevard,” Robin Williams plays Nolan Mack, a 60-year-old bank worker who spontaneously takes a dramatic U-turn — literally and figuratively — when he drives down an unfamiliar street and becomes intrigued by a young male hustler, Leo (Roberto Aguire), who asks if Nolan can give him a lift.
After forming a peculiar connection with Leo, Nolan faces the fact that he is gay and has spent his life hiding that. He’s hidden it from his wife Joy (Kathy Baker) and even from himself. Nolan’s climactic decision to confront who he really is proves the old adage: It’s never too late to change.
From director Dito Montiel and written by Douglas Soesbe, “Boulevard” also stars Bob Odenkirk (TV’s “Better Call Saul,” “Breaking Bad”) as Winston, Nolan’s supportive best friend. Montiel was drawn to “Boulevard” because of its poignant and universal themes. “When I read Douglas Soesbe’s script, I thought about how many people are in Nolan’s situation in some way or another,” Montiel told Dorri Olds. “It really is every man’s story. Nolan does not have a terrible life; his wife is not mean to him, he has a decent job and the prospect of a promotion, he lives in a nice house. But emotionally he feels empty, as if he is sleepwalking through a lonely and subdued world, devoid of all passion.”
This is the last film from the beloved Williams, who tragically hanged himself in August 2014, two weeks shy of 63. Williams struggled for years with depression and substance abuse, but what led to his suicide was the neurodegenerative disease Lewy Body Dementia (LBD) combined with Parkinson’s disease.
In November, ABC News reported:
“All people with LBD have dementia, and sometimes appear confused and disoriented and exhibit unusual behavior, said Angela Taylor, the director of programming for the Lewy Body Dementia Association. According to the coroner’s report, Williams had been acting strangely before his death. He is said to have kept several watches in a sock and was very concerned about keeping the watches safe.”
The much-missed Williams began his career as a standup comedian in the mid-1970s, then made it big as the hilarious alien Mork on the hit show, “Mork & Mindy.” Williams worked for four decades making films; my favorites include “One Hour Photo,” “The Fisher King,” “Good Morning, Vietnam” and “Good Will Hunting.” In 1998, Williams won an Academy Award for Best Supporting Actor for “Good Will Hunting,” and during his long and magnificent career, he received two Primetime Emmy Awards, six Golden Globe Awards, two Screen Actors Guild Awards and four Grammy Awards.
Williams gives a gripping performance in “Boulevard,” and director Dito Montiel spoke openly about working with the late actor on his last film during this interview with Dorri Olds.
Dorri Olds: What was Robin Williams’ take on his character?
Dito Montiel: We were on the same page, which was really nice. There was one scene in particular where Robin as Nolan and Kathy as Joy are in bed together, and they both say “I love you.” It wasn’t in the script, but I said, “You love her. Why don’t you tell her you love her?” Robin said, “Yeah, I would,” and then Kathy said, “I love you, too.” I thought that scene was so touching because they’re saying so many things. They’re saying, “I love you” and “It’s over” and “Goodbye.”
Robin, Kathy and I felt strongly that this was a loving marriage, just not the right loving marriage for Nolan. Kathy had an interesting thing to say, and then Robin said it all the time. It was that their characters had an unwritten agreement, and Nolan was breaking it. That’s why Joy was so mad. They have the big blowout when they finally have this conversation. It was like a “don’t ask, don’t tell” marriage for too long.
Could you tell that Robin was feeling depressed?
That’s impossible to know. We talked all the time, but it was about his character mainly, and he was as obsessed as I was about it. We would just literally talk at crazy lengths about Nolan and walk around all night while shooting. It was impossible to tell that sort of thing. You never know with anybody, unfortunately. It’s one of those weird things. He’d joke around when I’d try to give him direction about how sad Nolan was, and he’d say, “I’ve done the research.” There’s a side to Robin that is outrageous, that goes on David Letterman. Then there’s the guy who goes home at night trying to sit by himself and think about things.
“Boulevard” available online for streaming. LGBT drama. Rated R. 88 min. RIP Robin Williams.

You were an original. One of the best talents the world has ever seen.

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The Internet Grieves the Loss of Robin Williams

dorriolds — Wed, 20 Aug 2014 15:40:25 +0000

This morning I read a very touching Facebook post written by Glenn Close about her friend Robin Williams:

Message from Glenn Close

Robin Williams was my friend. He was the star of the first movie I ever did called The World According To Garp. It was his second feature film and he was wildly popular because of his years in the TV show, Mork and Mindy. George Roy Hill was our director and he believed in Robin’s transcendent talent. I watched as the two of them worked on ridding Robin of all the mannerisms he had taken on while playing a brilliantly funny, spontaneous alien. Robin was seriously determined to become a film actor and George took his desire seriously. It was wonderful to watch.
Robin was incredibly sensitive to the crew, to the people who don’t always get the recognition they deserve for the various jobs they do during a shoot. Robin knew everyone’s name and could always get a laugh—not a laugh aimed at himself, but a laugh that recognized others. He gave various favorite crew members special nicknames. Our camera operator had famously combed-back, black hair that had considerable amounts of product in it, keeping every hair in place in all kinds of weather. Robin dubbed him “Teflon Man” and would do hilarious rifts as an archeologist in the distant future finding “Teflon Man” with his hair still perfect.
Robin was incredibly sensitive and gentle and loving. He was very self-critical. During Garp we had a press conference and I was asked to go along with Robin. I watched this quiet man, who I’d never seen reading a newspaper or magazine or watching TV, explode into the press room and do an amazing turn on all the most current events, people and issues. He wove it all into a cohesive whole with no notes, nothing but his genius. It was breathtaking in its spontaneity and brilliance. Everyone was completely blown away. When we walked out of the room together, Robin turned to me with a worried look and asked in a whisper, “Was that all right?” I gave him a long hug and said, “Yes! You were incredible” He checked to make sure I really meant it and then went to his trailer.
Robin was a world treasure. As we mourn his tragic death, we must remember him for the great waves of laughter that he was able to illicit from us, how his humor and insights–though they came from a place of pain and uncertainty—connected us and reminded us of how flawed and fragile…how human we are…how we are capable of moments of inspired transcendence and others of unspeakable despair. Robin had it all. I am so deeply thankful that this dearly loved man graced this particular planet.

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Remembering Robin Williams – Director Dito Montiel opens up about Robin’s last film – Boulevard

The Internet Grieves the Loss of Robin Williams

Message from Glenn Close

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