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		<title>Tribeca and Chanel Offer Women Filmmakers $100,000 in Grant Money</title>
		<link>https://dorriolds.com/chanel-tribeca-women-filmmakers/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=chanel-tribeca-women-filmmakers</link>
		
		<dc:creator><![CDATA[dorriolds]]></dc:creator>
		<pubDate>Fri, 12 Oct 2018 15:19:18 +0000</pubDate>
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					<description><![CDATA[<p>Tribeca and Chanel Team Up to Support Women In this fourth annual three-day program, THROUGH HER LENS, five emerging USA-based female writers of short-narrative films will receive one-on-one mentorship, artistic guidance, and financial support from Tribeca and Chanel. $100,000 in Filmmaker Grants 4th Annual 3-Day Program The Leadership Committee includes Kathryn Bigelow, Lena Dunham and Courteney Cox. The purpose ... <a title="Tribeca and Chanel Offer Women Filmmakers $100,000 in Grant Money" class="read-more" href="https://dorriolds.com/chanel-tribeca-women-filmmakers/" aria-label="More on Tribeca and Chanel Offer Women Filmmakers $100,000 in Grant Money">Read more</a></p>
<p>The post <a href="https://dorriolds.com/chanel-tribeca-women-filmmakers/">Tribeca and Chanel Offer Women Filmmakers $100,000 in Grant Money</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
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										<content:encoded><![CDATA[<h2><span style="color: #800080">Tribeca and Chanel Team Up to Support Women</span></h2>
<p>In this fourth annual three-day program, <a href="https://www.tribecafilm.com/throughherlens"><strong>THROUGH HER LENS</strong>,</a> five emerging USA-based female writers of short-narrative films will receive one-on-one mentorship, artistic guidance, and financial support from <a href="https://dorriolds.com/tag/tribeca-film-festival/">Tribeca</a> and Chanel.</p>
<h2><span style="color: #800080"><strong>$100,000 in Filmmaker Grants</strong></span></h2>
<h3>4th Annual 3-Day Program</h3>
<p>The Leadership Committee includes <strong>Kathryn Bigelow, Lena Dunham</strong> and<strong> Courteney Cox</strong>. The purpose of this extraordinary opportunity is to propel women filmmakers forward.<br />
<strong><a href="https://twitter.com/Tribeca">@Tribeca</a>     </strong><strong><a href="https://twitter.com/hashtag/ThroughHerLens">#ThroughHerLens</a>     </strong><a href="https://twitter.com/hashtag/WhatsYourStory"><strong>#WhatsYourStory</strong></a><br />
Presented by Tribeca and Chanel, in collaboration with Pulse Films, and facilitated by <a href="https://www.tfiny.org">Tribeca Film Institute (TFI)</a>, this immersive program provides one-on-one mentorship and industry support, along with guidance for artistic development. The intense master classes run for three days.</p>
<h3><span style="color: #008000"><em>The winning female filmmaker in the competition will be awarded full financing to produce their short film and will receive support from Tribeca Studios to bring the film project to fruition.</em></span></h3>
<h3>Here&#8217;s How It Works</h3>
<p>Five short film projects were selected from women storytellers. During this past summer, each of the five chosen filmmakers were given the extraordinary opportunity to work with writing mentors who helped to shape and refine each of the five projects.</p>
<h3>When and Where</h3>
<p>From October 16 to 18, the filmmakers will gather in New York City with the mentor and program advisors for an in-depth intimate program concentrating on script-to-screen development, casting, finding collaborators, and working with cinematographers, music composers, costume designers, and producers. The selected program participants will attend master classes and have individual mentoring sessions with leading women in filmmaking, meet distributors, and spend concentrated time refining their pitching skills.</p>
<h3><strong>It&#8217;s a Win-Win</strong></h3>
<p>On the final day, each of the five filmmakers will pitch their projects to a jury of industry experts. Although only one woman will receive the full financing, no one among these five carefully-chosen filmmakers will lose.  The four runners up will also receive grant money to assist in the further development of their films.<br />
<figure id="attachment_9129" aria-describedby="caption-attachment-9129" style="width: 690px" class="wp-caption alignleft"><img data-recalc-dims="1" decoding="async" loading="lazy" class="size-full wp-image-9129" src="https://i0.wp.com/dorriolds.com/wp-content/uploads/Pamela-Weinstein-400x700.jpg?resize=700%2C400&#038;ssl=1" alt="Paula Weinstein" width="700" height="400" /><figcaption id="caption-attachment-9129" class="wp-caption-text"><em>Paula Weinstein. Photo ©2018 Dorri Olds</em></figcaption></figure><br />
“In the years since Tribeca launched THROUGH HER LENS with Chanel, the program has created invaluable opportunities for the next generation of women storytellers,” said <strong>Paula Weinstein, Executive Vice President of Tribeca Enterprises</strong>. “The program brings established women filmmakers together to mentor these emerging voices, provide hands-on guidance and feedback, as well as fund their projects. We’re proud to help expand the pipeline for great inclusive storytelling.”<br />
<strong><a href="https://twitter.com/Tribeca">@Tribeca</a>     </strong><strong><a href="https://twitter.com/hashtag/ThroughHerLens">#ThroughHerLens</a>     </strong><a href="https://twitter.com/hashtag/WhatsYourStory"><strong>#WhatsYourStory</strong></a><br />
Executive Director of Tribeca Film Institute (TFI) Amy Hobby said, “TFI’s mission is to join with filmmakers in breaking barriers to access, exposure, and sustainability in the media landscape. The Tribeca Chanel program unequivocally aligns with our nonprofit’s goals to provide this level of meaningful support to women filmmakers of all kinds.&#8221;<br />
The Leadership Committee participating in the program are:<br />
<strong>MASTER CLASS ADVISORS</strong>: Costume designer <strong>Stacey Battat </strong>(<em>The Beguiled</em>,<em> Still Alice)</em>, casting director <strong>Ellen Chenoweth</strong> (<em>The Goldfinch</em>,<em> No Country For Old Men</em>), writer/director <strong>Debra Granik </strong>(<em>Leave No Trace</em>,<em> Winter’s Bone</em>),composer <strong>Laura Karpman</strong> (<em>Paris Can Wait</em>,<em> Underground</em>), and cinematographer <strong>Rachel Morrison </strong>(<em>Black Panther</em>, <em>Mudbound</em>).<br />
<strong>JURORS</strong>: Producer<strong> Effie T. Brown</strong> (FOX’s “Star,”<em> Dear White People</em>, “Project Greenlight”), actor/writer/director/producer<strong>Lena Dunham </strong>(<em>Tiny Furniture, </em>“Camping,” “Girls”), cinematographer <strong>Rachel Morrison</strong> (<em>Black Panther, Mudbound</em>), and producer <strong>Paula Weinstein</strong> (“Grace and Frankie,” <em>The Perfect Storm</em>, <em>Recount</em>).<strong> </strong><br />
<strong>MENTORS</strong>: Director/producer <strong>Kathryn Bigelow </strong>(<em>The Hurt Locker</em>,<em> Zero Dark Thirty</em>), actor/director/producer <strong>Courteney Cox </strong>(“Cougar Town,” “Friends”), producer and TFI Executive Director <strong>Amy Hobby </strong>(<em>What Happened, Miss Simone?</em>,<em>Secretary</em>), writer/director <strong>Stella Meghie </strong>(<em>Everything, Everything</em>, <em>The Weekend</em>), writer/director/executive producer <strong>Veena Sud </strong>(“The Killing,” “Seven Seconds”), and producer <strong>Christine Vachon </strong>(<em>Carol</em>, <em>Far from Heaven</em>).<br />
<strong>WRITING MENTORS</strong>: Producer <strong>Stephanie Allain</strong> (<em>Beyond the Lights</em>,<em> Dear White People</em>), writer/executive producer <strong>Janine Sherman Barrois </strong>(“Claws,” “Criminal Minds”), writer/director <strong>Susanna Fogel</strong> (<em>The Spy Who Dumped Me</em>,<em> Life Partners</em>), writer <strong>Jenny Lumet</strong> (<em>Rachel Getting Married</em>,<em> Untitled Monsters Franchise</em> for Universal Studios), and writer/executive producer <strong>Marti Noxon</strong> (“Sharp Objects,” “UnREAL”).<br />
The selected projects and filmmakers are:<br />
<strong><em>H-E-A-T-H-E-R</em></strong>: <em>Heather, a young, racially ambiguous artist, confronts questions of identity when she becomes a part-time babysitter for 11-year-old Jayda. Their dynamic prompts Heather to explore the limitations of her persona as she voyages into other realms of her imagination through fantasy, alternate realities, and moving collages.</em><br />
<strong>Francesca Mirabella (Co-Writer, Co-Director)</strong><br />
Francesca Mirabella is a writer and director who received her MFA from the NYU Tisch Graduate Film program, where she attended as a Dean&#8217;s Fellow. Her shorts have screened at a range of festivals and were most recently featured at the Museum of Modern Art. In 2017, Mirabella won an NYU Wasserman Award for Best Screenplay. A 2017/18 Marcie Bloom Fellow, Mirabella is currently developing her feature <em>Modern Love</em>, which was awarded a Tribeca All Access® grant.<br />
<strong>Kylah Benes-Trapp (Co-Writer, Co-Director)</strong><br />
Kylah Benes-Trapp is a visual artist from California currently based in New York City. She works primarily in digital illustration, photography and graphic design and has recently started writing for film. Her work explores ideas of self-expression, femininity, identity and nostalgia. Her purpose is to create a world of possibility through her work that will inspire discovery.<br />
<strong><em>LIFE ON sMARS</em></strong>: <em>Six aspiring astronauts are sealed inside a solar-powered dome, attempting to simulate life on Mars. When Dana&#8217;s helmet malfunctions on the first spacewalk — depriving her of precious oxygen — she and her teammates have a critical decision to make.</em><br />
<strong>Laramie Dennis (Writer, Director)</strong><br />
Laramie Dennis attended Wesleyan University and spent 10 years in New York City developing and directing new plays before earning her MFA in Film and Television Production from USC. Her short films have screened at the Vancouver International Film Festival and Short Film Corner at Cannes and have also been presented and distributed by Boyish, Shorts International and Sprint. Her short-form animated series, <em>The Golden Rule</em>, is currently in production.<br />
<strong>Jenna Cedicci (Producer)</strong><br />
Jenna Cedicci is an international feature film and commercial producer. She has developed and produced more than 75 commercials and five features to date, three slated for distribution in 2019: the documentary <em>Fire on the Hill</em>, a remake of the classic German film <em>Nosferatu</em>, and the narrative indie feature <em>Daddy Issues</em>.<br />
<strong><em>ROSA</em></strong>: <em>While working at her aunt&#8217;s flower shop, Rosa takes her job underground when she begins a side business of shipping undocumented bodies to their home countries for burial.</em><br />
<strong>Suha Araj (Writer, Director)</strong><br />
Suha Araj creates films that explore the displacement of immigrant communities. <em>The Cup Reader</em>, shot in Palestine, screened at the Tribeca Film Festival and was awarded The Next Great Filmmaker Award at the Berkshire International Film Festival and Baghdad International Film Festival. Araj followed with <em>Pioneer High</em> in 2015. She has received support for her work from the Sundance Film Festival, TorinoFilmLab, Independent Filmmaker Project, Berlinale Talent Project Market, Center for Asian American Media and Cine Qua Non Lab.<br />
<strong>Maryam Keshavarz (Producer)</strong><br />
Maryam Keshavarz is a writer, director and producer whose short <em>The Day I Died</em> won the Gold Teddy and Jury Prize at the Berlin International Film Festival. Keshavarz’s first feature, <em>Circumstance</em>, won the Sundance Film Festival’s Audience Award and was distributed theatrically by Participant Media and Roadside Attractions. Her sophomore feature — <em>Viper Club</em>, starring Susan Sarandon — world premiered at Toronto International Film Festival and hits theaters this month.<br />
<strong><em>EL TIMBRE DE SU VOZ</em></strong>:<em> Yaneris, a Dominican teenager, plots a way to escape her hometown of Sosúa, where becoming an escort seems to be her only fate. After unexpectedly falling in love with her client’s son, she decides he may be the ticket to a new life — for both her and her disabled sister.</em><br />
<strong>Gabriella Moses (Writer, Director)</strong><br />
Gabriella Moses is director, writer, and production designer based in Brooklyn. She is a graduate of the NYU Tisch School of the Arts. She has received support for her work through the New York Women in Film &amp; Television’s 2017 From Script to Pre-Production Workshop, Sundance Institute’s 2018 Screenwriters Intensive and 2018 TFI Network. Moses believes in sharing stories with underrepresented protagonists that push viewers&#8217; perceptions of identity and imagination.<br />
<strong>Shruti Ganguly (Producer)</strong><br />
Shruti Ganguly is a filmmaker and the founder of honto88. She has directed numerous videos and is a recovering media executive, with roles at MTV, Condé Nast/<em>Vogue </em>and more recently at <em>NYLON </em>as the Vice President of TV &amp; Video. Her films have been screened at the Sundance Film Festival, Venice Film Festival, Berlin International Film Festival, Telluride Film Festival, and AFI Fest. Ganguly hails from India by way of Oman.<br />
<strong><em>WHAT IS YOUR SOUL PURPOSE?</em></strong>:<br />
<em>A sheltered Korean American family travels to Atlanta to retrieve the body of their son after he passes away from an accidental overdose. In the depths of their grief, they find an unlikely connection and momentary solace with the African American family who owns the mortuary.</em><br />
<strong>Jennifer Cho Suhr (Writer/Director)</strong><br />
Jennifer Cho Suhr is a Brooklyn-based writer and director. She is developing her debut feature, <em>You and Me Both</em>, starring Constance Wu and selected for the Tribeca All Access® and Film Independent’s Producing Lab and Fast Track programs. Suhr earned her MFA from the NYU Tisch Graduate Film program, where she was awarded the Tisch Fellowship and a grant from the Spike Lee Film Production Fund.<br />
<strong>Carolyn Mao (Producer)</strong><br />
Carolyn Mao is a Los Angeles-based producer and former development executive. <em>Nice</em>, a pilot she produced by creator Naomi Ko and director by Andrew Ahn, premiered at the 2018 Tribeca Film Festival. She is currently raising financing for<em>You and Me Both</em>. She is a fellow of Film Independent’s Project Involve, Producing Lab and Fast Track programs.<br />
CHANEL and Tribeca work year-round to support women filmmakers, not only with THROUGH HER LENS, but during the annual Tribeca Film Festival with the annual women’s filmmaking lunch and the Nora Ephron Award. The Award was created in 2013 to honor exceptional female filmmakers who embody the spirit and vision of the legendary filmmaker. Women who have received the award include: Meera Menon (<em>Farah Goes Bang, Equity</em>), Talya Lavie (<em>Zero Motivation</em>), Laura Bispuri (<em>Sworn Virgin</em>), Rachel Tunnard (<em>Adult Life Skills</em>), Petra Volpe (<em>The Divine Order</em>), and Nia DaCosta (<em>Little Woods</em>) from this past year.<br />
The 2016 recipient of the THROUGH HER LENS grant, <em>Feathers</em>, directed by A.V. Rockwell, premiered at this year’s Toronto International Film Festival and was acquired by Fox Searchlight. Last year’s main recipient, <em>Suicide by Sunlight</em>, by Nikyatu Jusu is currently in post-production.<br />
Tribeca actively cultivates independent voices in storytelling and has been at the forefront of supporting women filmmakers. This past year, it led the way as the first major film festival to have near equal representation by women directors in its feature film program. <strong>THROUGH HER LENS: The Tribeca Chanel Women&#8217;s Filmmaker Program</strong>—the most recent iteration of Tribeca’s commitment to female artistic voices—continues to provide resources to help empower emerging women storytellers in the industry. The nonprofit affiliate of Tribeca, Tribeca Film Institute, supports female filmmakers through, among other initiatives, its cornerstone grant and mentorship program, Tribeca All Access. Currently in its 16<sup>th</sup> year, the program supports scripted, documentary and interactive storytellers from diverse communities, including those that are statistically underrepresented in the industry.<br />
<strong><u>About TRIBECA ENTERPRISES</u></strong><br />
Tribeca Enterprises is a multi-platform storytelling company based in New York City. Established in 2003 by Robert De Niro, Jane Rosenthal and Craig Hatkoff, Tribeca provides artists with unique platforms to expand the audience for their work and broadens consumer access to experience storytelling, independent film and media. The company operates a network of branded entertainment businesses including the Tribeca Film Festival, Tribeca Film Festival International, and Tribeca Studios. In 2014, The Madison Square Garden Company acquired a 50% stake in Tribeca Enterprises, bringing together two of New York&#8217;s most important cultural and entertainment icons to enhance the reach and impact of both brands. <u><a href="http://www.tribecafilm.com/">www.tribecafilm.com</a></u>.<br />
<strong><u>About CHANEL </u></strong><br />
CHANEL, the international luxury goods company, was founded in France by Gabrielle Chanel at the beginning of the last century. The company, which is privately held, offers a broad range of luxury products, including Ready-to-Wear, fragrance, cosmetics, leathergoods, accessories, fine jewelry and watches, through a U.S. network of 24 boutiques and approximately 91 locations at select retailers. CHANEL is also renowned for its Haute Couture collections presented in Paris. CHANEL maintains 190 fashion boutiques worldwide, including the legendary House of CHANEL on rue Cambon in Paris. Under the creative guidance of designer Karl Lagerfeld, the House of CHANEL remains dedicated to luxury, fashion, style and image.<br />
CHANEL opened its very first watch boutique avenue Montaigne in 1987 for the launch of the Première watch. The boutique was then transferred to place Vendôme in 1990, displaying also from 1993 the new CHANEL Fine Jewelry creations. Since 1997, the flagship Watch and Fine Jewelry boutique sits at 18, place Vendôme. There are 12 boutiques featuring fine jewelry collections in the U.S. and 52 Watch and Fine Jewelry boutiques worldwide.<br />
<strong><u>About TRIBECA FILM INSTITUTE</u></strong><br />
TFI partners with storytellers and joins them in breaking barriers of access, exposure, and sustainability in the media landscape. The Institute prioritizes creators whose points of view have been marginalized due to race, gender, sexuality, class, and/or politics. Through grants, mentorship, industry connections, and professional development, TFI helps to ensure that storytellers from a multitude of backgrounds have access to the resources and tools they need to tell their stories, connect with audiences, and thrive in their careers. The Institute&#8217;s educational programming leverages an extensive film community network to cultivate the next generation of storytellers. Through customized mentorships and curriculum-aligned film screening workshops, TFI provides New York City public school students with media literacy skills necessary to be creative and thoughtful global citizens. TFI was founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff in the wake of September 11, 2001 and is a 501(c)(3) year-round nonprofit arts organization.<br />
<strong><a href="https://twitter.com/Tribeca">@Tribeca</a>     </strong><strong><a href="https://twitter.com/hashtag/ThroughHerLens">#ThroughHerLens</a>     </strong><a href="https://twitter.com/hashtag/WhatsYourStory"><strong>#WhatsYourStory</strong></a></p>
<p>The post <a href="https://dorriolds.com/chanel-tribeca-women-filmmakers/">Tribeca and Chanel Offer Women Filmmakers $100,000 in Grant Money</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
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		<title>Artist and Activist AleXsandro Palombo Raises Awareness on Women&#8217;s Issues</title>
		<link>https://dorriolds.com/artist-and-activist-alexsandro-palombo-raises-awareness-on-womens-issues/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=artist-and-activist-alexsandro-palombo-raises-awareness-on-womens-issues</link>
		
		<dc:creator><![CDATA[dorriolds]]></dc:creator>
		<pubDate>Sat, 16 Sep 2017 19:47:59 +0000</pubDate>
				<category><![CDATA[Celebrities]]></category>
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		<category><![CDATA[AleXsandro Palombo]]></category>
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		<category><![CDATA[Breast Cancer]]></category>
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		<guid isPermaLink="false">https://www.dorriolds.com/?p=8813</guid>

					<description><![CDATA[<p>Artist and activist AleXsandro Palombois creates art series that raise awareness on social and political issues. He takes a special interest in women's causes including breast cancer, domestic violence, anorexia, disability and asks us to rethink and redefine our notions of beauty. Palombo refers to his cartoony artworks as “humor chic,” and he has a blog of the same name.</p>
<p>The post <a href="https://dorriolds.com/artist-and-activist-alexsandro-palombo-raises-awareness-on-womens-issues/">Artist and Activist AleXsandro Palombo Raises Awareness on Women&#8217;s Issues</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="http://humorchic.blogspot.com/" target="_blank" rel="noopener noreferrer"><strong>AleXsandro Palombo</strong></a>, from Milan, Italy is both artist and activist. He creates art series to raise awareness on social and political issues. He takes a special interest in women&#8217;s causes. I was excited to land an exclusive interview with him after having seen his breast cancer awareness works of art. It is a series of <a title="Italian artist AleXandro Palombo creates unusual princesses" href="http://www.humorchic.blogspot.com/2014/10/art-female-cartoon-characters-survivor.html" target="_blank" rel="noopener noreferrer">cartoon princesses</a> with a twist: They all have mastectomy scars. Palombo refers to his cartoony artworks as “humor chic,” and has a blog of the same name.</p>
<p>You’ll recognize familiar female icons in his cartoons that include Snow White, Marge Simpson, Jessica Rabbit, Wilma Flintstone and more. It was an honor to speak to this male artist who cares so much about causes that are important to women. His numerous series cover timely and controversial topics that include breast cancer, <a href="https://www.facebook.com/Alexsandro-Palombo-414080872053083" target="_blank" rel="noopener noreferrer">domestic violence</a>, physical disability and anorexia. He asks his viewers to rethink and redefine our rigid notions of beauty.</p>
<p>He also creates illustrations that fight anti-semitism, racism, and terrorism. You can find out more about Palombo and his works of art on <a href="https://www.facebook.com/Alexsandro-Palombo-414080872053083" target="_blank" rel="noopener noreferrer">Facebook,</a> <a href="https://twitter.com/PalomboArtist" target="_blank" rel="noopener noreferrer">Twitter</a> and his <a href="http://humorchic.blogspot.it/" target="_blank" rel="noopener noreferrer">blog</a>.</p>
<figure id="attachment_8821" aria-describedby="caption-attachment-8821" style="width: 290px" class="wp-caption alignright"><img data-recalc-dims="1" decoding="async" loading="lazy" class="wp-image-8821 size-medium" src="https://i0.wp.com/dorriolds.com/wp-content/uploads/aleXsandro-Palombo-Survivor-Breast-Cancer2.jpg?resize=300%2C182&#038;ssl=1" alt="breast cancer" width="300" height="182" /><figcaption id="caption-attachment-8821" class="wp-caption-text">© AleXsandro Palombo</figcaption></figure>
<p>&nbsp;</p>
<p><strong>OUR INTERVIEW</strong></p>
<p><strong>Dorri Olds: What inspired your breast cancer survivors cartoon series?</strong></p>
<p><strong>AleXsandro Palombo: </strong>Every woman is beautiful, even after a mastectomy, and women should know that. I put order to the codes of beauty. A few years ago, a colleague of mine died from breast cancer. I think you really have to invest great energy in the prevention and create more awareness. If caught early, you can win upon this disease. The acceptance of your own body mutilated by a mastectomy is one of the most devastating moments of the disease. You must be very strong to be able to react psychologically and accept the new appearance of your body. My message is one of hope and courage. I believe that we must create awareness to young people and teach health education. Breast cancer is a disease that can affect younger women, too.</p>
<p>&nbsp;</p>
<figure id="attachment_8828" aria-describedby="caption-attachment-8828" style="width: 849px" class="wp-caption alignleft"><img data-recalc-dims="1" decoding="async" loading="lazy" class="size-full wp-image-8828" src="https://i0.wp.com/dorriolds.com/wp-content/uploads/AleXandro-Palombo-princess-disability.jpg?resize=825%2C410&#038;ssl=1" alt="disability" width="825" height="410" /><figcaption id="caption-attachment-8828" class="wp-caption-text">©AleXsandro Palombo</figcaption></figure>
<p><strong>What sparked your Disney princesses with disabilities series?</strong></p>
<p>I had a rare form of cancer. After the surgery to remove it, parts of my own body remained paralyzed. For the last few years it has been difficult for me to move because I spend a lot of time in the hospital for rehabilitation. My best therapy for life’s illness is art. I wanted to give visibility to a problem that affects a great amount of people all over the world. It’s a message against discrimination, a message to redefine the standards of beauty.</p>
<p>The major industries of marketing and media impose a false perfection. Diversity is not allowed. When you are a big company like Disney, you have a great responsibility toward the children that watch and learn from the messages you launch. Including, for example, a disabled protagonist who can surely create acceptance in a world where disabled children suffer all forms of discrimination and humiliation. Disability is part of our world, but unfortunately, too many people think that it is something ugly that you have to hide.</p>
<figure id="attachment_8822" aria-describedby="caption-attachment-8822" style="width: 849px" class="wp-caption alignright"><img data-recalc-dims="1" decoding="async" loading="lazy" class="wp-image-8822 size-full" src="https://i0.wp.com/dorriolds.com/wp-content/uploads/alexsandro-palombo-abuse.jpg?resize=825%2C382&#038;ssl=1" alt="domestic violence" width="825" height="382" /><figcaption id="caption-attachment-8822" class="wp-caption-text">© AleXsandro Palombo</figcaption></figure>
<p><strong>What inspired your series on domestic abuse victims?</strong></p>
<p>We live in a society where women are treated like objects. In advertising campaigns, in the fashion magazines, in the TV, there’s a continuous bombardment of this type of “women as objects,” and personally I find it humiliating. We must begin to reverse this trend. We must subvert it, because if you don’t educate people to respect women, then everything will continue to be superficial.</p>
<p>Have you ever seen a very normal couple walking on the street, and then with a glimpse of the women’s face, you see she is bruised? In many cases, monsters are apparently very normal people. And in too many cases, women are ashamed to ask for help. Sometimes they believe that it’s their own fault, and they feel trapped in silence, and the violence goes on undisturbed. Look at the Indian women that are fighting against male abuse. They are very courageous, and I very much admire them all.</p>
<p>It should be men that fight against the men who abuse women all over the world. The law must ensure that these individuals are severely punished. We must never lower our attention to this important problem. There are no women immune to the violence, even if they are strong. I want my social artwork to slap faces with reality and be an inspiration to fight violence.</p>
<div id="attachment_37912" class="wp-caption aligncenter">
<p>&nbsp;</p>
</div>
<p><strong>What inspired your cartoons of fashion icons like Anna Wintour and Karl Lagerfeld?</strong></p>
<p>I hope to convince them to ban the use of real fur because it’s a massacre that cannot be accepted by a civil and modern society.</p>
<p><strong>Can you explain your #FreeGaza project?</strong></p>
<p>It’s horrific that the people of Gaza are forced to live in an inhuman condition, enclosed in a fence, and that’s why I strongly condemn the Palestinian terrorists of Hamas. Their violence against the Israeli people is unacceptable.</p>
<p><strong>When did you first become interested in activism?</strong></p>
<p>I started to be an activist when I was 14. I was a volunteer in dogs shelters, I brought food to hundreds of dogs. Then the Red Cross. Then I volunteered in the Italian Marines for two years; I have participated in important international peacekeeping missions. I’ve seen so much despair and suffering … mine is a vocation that comes from deep inside.</p>
<p><strong>Are you concerned that Disney could sue you?</strong></p>
<p>No. These are the stars of our time, popular icons just like some big stars. I draw them with my language and my imagination, just like Andy Warhol did with some divas and socialites in his day. I am a contemporary artist who explores the society. The cult of celebrity is an important part of my work, but my art also focuses on the social aspects of society and fights for the right of expression, freedom and equality. I’m an activist who always faces strong and controversial issues through art with my own artistic language. I mix color, iconic cartoon characters, satirism, humor, realism and surrealism. This way, I try to entertain and make people reflect in the same time. My artworks are like a mirror, the cultural expression of the society in which we live.</p>
<p><strong>Do you exhibit your artwork in the United States?</strong></p>
<p>For now I prefer the Internet. That is by far the largest gallery in the world.</p>
<p>The post <a href="https://dorriolds.com/artist-and-activist-alexsandro-palombo-raises-awareness-on-womens-issues/">Artist and Activist AleXsandro Palombo Raises Awareness on Women&#8217;s Issues</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
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		<title>How to Accept a Compliment with Grace &#124; by Wendy Toth and Power Pantsuiting</title>
		<link>https://dorriolds.com/how-to-accept-a-compliment-with-grace-wendy-toth-and-power-pantsuiting/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-to-accept-a-compliment-with-grace-wendy-toth-and-power-pantsuiting</link>
		
		<dc:creator><![CDATA[dorriolds]]></dc:creator>
		<pubDate>Mon, 01 May 2017 12:24:26 +0000</pubDate>
				<category><![CDATA[Essay]]></category>
		<category><![CDATA[Olds News]]></category>
		<category><![CDATA[Writing blog]]></category>
		<category><![CDATA[#amwriting]]></category>
		<category><![CDATA[Compliment]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Wendy Toth]]></category>
		<category><![CDATA[Women]]></category>
		<category><![CDATA[Writer]]></category>
		<category><![CDATA[Writing]]></category>
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					<description><![CDATA[<p>I was the youngest of three girls and was born a ham. I love attention—thrive on it really. So I’ve never been one to shy away from any limelight I can grab. When somebody gives me a compliment I grin ear-to-ear and say, “Thank you!” I figure that’s like positive reinforcement. If their compliment is met with an enthusiastic response, then they will be more likely to compliment me again, right?</p>
<p>The post <a href="https://dorriolds.com/how-to-accept-a-compliment-with-grace-wendy-toth-and-power-pantsuiting/">How to Accept a Compliment with Grace | by Wendy Toth and Power Pantsuiting</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Thank you for the compliment, Wendy Toth and <a href="http://www.powersuiting.com/how-to-accept-a-compliment" target="_blank" rel="noopener noreferrer">Power Pantsuiting</a>. I feel honored to have been included in this great group of women.</p>
<h2 class="entry-title">How to Accept a Compliment with Grace</h2>
<p><a href="http://www.powersuiting.com/how-to-get-a-compliment-tomorrow-the-level-up-method/" target="_blank" rel="noopener noreferrer">Getting a compliment</a> is good for you. Science has proven that people perform tasks better, have improved memory, and feel happy after being complimented.</p>
<p>What many of us don’t know is how to accept a compliment gracefully.</p>
<p>If you’re getting such a nice boost, why is it so hard?</p>
<p>A couple of frustrating reasons have come to light in psychological circles.</p>
<ol>
<li>Your view of yourself doesn’t line up with the compliment. Put another way, you could lack the confidence to accept the compliment comfortably.</li>
<li>You totally agree with the compliment, but don’t want put the other person off by seeming TOO confident.</li>
</ol>
<p>Every human being on earth has likely felt both of these ways, depending on the subject matter of the compliment. At any given moment I feel good about some aspects of myself, and shaky about others. But either way, the compliment can cause me to feel uncomfortable!</p>
<p>I want that to end.</p>
<p>Compliments have too much going to for them to cause angst.</p>
<p>To help me formulate a plan for accepting compliments graciously, I reached out to a number of women I look up to, and asked for the <strong>word-for-word scripts</strong> they use to make compliment acceptance a breeze.</p>
<h2>How to Accept a Compliment</h2>
<h3>Go Minimal</h3>
<p><em>By Dr. Jessica Vogelsang, Founder of <a href="http://pawcurious.com/" target="_blank" rel="noopener noreferrer">PawCurious</a></em></p>
<p>The more I try to respond or fill the space, the more I end up sticking my foot in my mouth.</p>
<p><strong>The Script:</strong> I make a very conscientious effort to look the person in the eye, give them a heartfelt “Thank you. I really appreciate that!” and then stop talking.</p>
<h3>Return the Favor</h3>
<p><em>By: Lavanya Sunkara, <a href="https://nature-traveler.com/" target="_blank" rel="noopener noreferrer">Travel Writer</a></em></p>
<p>It’s all about reciprocity for me.</p>
<p><strong>The Script:</strong> When others give me compliments, I usually say, “Thanks,” and if I have something to compliment them about, I will try to do so.</p>
<h3>Enjoy the High</h3>
<p><em>By Kaia Roman, author of <a href="http://www.thejoyplan.com/" target="_blank" rel="noopener noreferrer">The Joy Plan</a></em></p>
<p>I used to have a hard time receiving a compliment, always minimizing or deflecting because I felt self-conscious and undeserving. But then I learned about the physical mechanisms behind both giving and receiving compliments and I changed my ways. Compliments release dopamine in the brain, for both the giver and the receiver. And dopamine feels like a pleasure rush that is highly enjoyable!</p>
<p>If I didn’t let myself truly receive the compliment, I’d be missing out on this drug-free high.</p>
<p>Likewise, if I minimized the compliment from the giver, I’d be taking away their joy by turning an appreciative exchange into an awkward one. So now, when someone gives me a compliment, I think about the benefit they are receiving from that act of kindness and I do my best to amp up the effect so they’ll do it again for someone else. The world needs as many compliments as we can give!</p>
<p><strong>The Script:</strong> “Thank you, that made my day.” or “Thank you, that was so nice of you to notice.”</p>
<p>I smile and let the dopamine soak in for both of us.</p>
<h3>Go for Seconds</h3>
<p><em>By Dorri Olds, <a href="https://www.dorriolds.com/" target="_blank" rel="noopener noreferrer">Freelance Writer and Journalist</a></em></p>
<p>I was the youngest of three girls and was born a ham. I love attention—thrive on it really. So I’ve never been one to shy away from any limelight I can grab.</p>
<p><strong>The Script:</strong> When somebody gives me a compliment I grin ear-to-ear and say, “Thank you!” I figure that’s like positive reinforcement. If their compliment is met with an enthusiastic response, then they will be more likely to compliment me again, right?</p>
<h3>Take a Pause</h3>
<p><em>By Jessica Remitz, Managing Editor, <a href="http://www.pawculture.com/" target="_blank" rel="noopener noreferrer">PawCulture.com</a></em></p>
<p>I am working on taking a beat to curb my knee-jerk “aw shucks” reaction. A friend of mine told me that she’d almost stopped complimenting other women because we’re so quick to brush them off, almost to the point of embarrassment. so I think it’s important to acknowledge to the other person on how nice a compliment is to hear—because it truly is.</p>
<p><strong>The Script:</strong> I have begun looking directly at my complimenter (in a not creepy or adversarial way) and saying, “Thank you for noticing my [item of clothing/well-behaved dog/completed work project]. I appreciate you saying something, and worked hard to [find said item/raise a polite dog/go above and beyond].”</p>
<h3>Split the Difference</h3>
<p><em>By Talia Argondezzi, <a href="https://www.ursinus.edu/live/profiles/483-talia-argondezzi" target="_blank" rel="noopener noreferrer">Director, Writing and Speaking Program at Ursinus College</a></em></p>
<p>In the case where accepting a compliment feels very unnatural, and almost impossible to do, it can be rude and awkward to just deny the praise you were given. Instead, take a baby step and challenge yourself by trying to split the difference. For instance, you might  accept what was said, but then make a funny remark, or even self-deprecating one, but only on something you DO feel confident about.</p>
<p><strong>The Script:</strong></p>
<p>“I like your glasses.”</p>
<p>“Thank you. Like Rick Perry, I’m trying to wear my glasses more so people will think I’m smart.”</p>
<h3>Keep It Simple</h3>
<p><em>By Victoria Schade, <a href="https://www.amazon.com/Bonding-Your-Dog-Trainers-Relationship/dp/0470409150" target="_blank" rel="noopener noreferrer">Dog Trainer and Author</a></em></p>
<p>Since directly turning down a compliment can be a way of telling a person, “Nope, you’re wrong about that,” I try to accept it gracefully and then move on.</p>
<p><strong>The Script:</strong> “Thank you, it’s my favorite scarf/blouse/shoes/whatever!” is an easy way to acknowledge the person’s compliment, or “That’s so kind of you to say,” or if someone compliments my writing I might respond with, “Thank you, that means a lot!”</p>
<h3>Look Forward</h3>
<p><em>By Aly Semigran, <a href="https://twitter.com/AlySemigran?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor" target="_blank" rel="noopener noreferrer">Writer and Editor</a></em></p>
<p>I had a recent experience with this with someone saying, “You deserve a good guy.” It was a friend I hadn’t seen in awhile and I caught them up with my most recent terrible dating experience and they told me, sincerely, “You deserve a good guy.”</p>
<p><strong>The Script:</strong> I responded with, “Thank you. It’s taken me a long time to realize that.”</p>
<p>I didn’t bitch and moan “Oh there’s no good guys out there,” rather I acknowledged they saw something in me that’s taken me 32 years to accept. I think it’s rare to tell someone you agree with them about a positive side of yourself, but I think in this case, especially because so much time had passed, it caught us up on where I am now.</p>
<h3>BONUS SECTION!</h3>
<h3>On Giving Compliments</h3>
<p><em>By Cheyenne Gil, <a href="https://www.cheyennegil.com/" target="_blank" rel="noopener noreferrer">Body Positive Boudoir Photographer</a></em></p>
<p>When it comes to GIVING compliments (which I also think is a great step in your self love journey), give a compliment that you truly mean, and give it without putting yourself down in the process.</p>
<p><strong>The Script:</strong> For instance, say you love someone’s hair. All you have to say is, “Wow, I love your hair! It’s beautiful,” NOT, “Wow, I love your hair! It’s so beautiful! My hair is so blah. I need to change it. But your hair is just so nice!”</p>
<p><em>Now that you know exactly what to say, check out:<br />
</em><a href="http://www.powersuiting.com/how-to-get-a-compliment-tomorrow-the-level-up-method/" target="_blank" rel="noopener noreferrer">How to Get a Compliment Tomorrow, The Level-Up Method</a></p>
<p>The post <a href="https://dorriolds.com/how-to-accept-a-compliment-with-grace-wendy-toth-and-power-pantsuiting/">How to Accept a Compliment with Grace | by Wendy Toth and Power Pantsuiting</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
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		<title>Juno Temple and Julia Garner Shine in &#8216;One Percent More Humid&#8217; at TFF</title>
		<link>https://dorriolds.com/one-percent-more-humid-juno-temple-julia-garner/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=one-percent-more-humid-juno-temple-julia-garner</link>
		
		<dc:creator><![CDATA[dorriolds]]></dc:creator>
		<pubDate>Sat, 22 Apr 2017 15:46:39 +0000</pubDate>
				<category><![CDATA[Addiction]]></category>
		<category><![CDATA[Celebrities]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Julia Garner]]></category>
		<category><![CDATA[Juno Temple]]></category>
		<category><![CDATA[TFF]]></category>
		<category><![CDATA[TFF2017]]></category>
		<category><![CDATA[Tribeca Film Festival]]></category>
		<category><![CDATA[Women]]></category>
		<guid isPermaLink="false">https://www.dorriolds.com/?p=8436</guid>

					<description><![CDATA[<p>Tribeca Film Festival’s feature narrative, One Percent More Humid, premiered last night in Chelsea at the SVA Theater. The haunting coming-of-age story centers on two childhood friends on a break from college who reunite in their New England hometown. It’s a sweltering, sticky summer, hence the title. Iris (Juno Temple) and Catherine (Julia Garner) find relief in the cooling waters of the local lake.</p>
<p>The post <a href="https://dorriolds.com/one-percent-more-humid-juno-temple-julia-garner/">Juno Temple and Julia Garner Shine in &#8216;One Percent More Humid&#8217; at TFF</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Tribeca Film Festival’s feature narrative, <em><a href="https://tribecafilm.com/filmguide/one-percent-more-humid-2017">One Percent More Humid</a></em>, premiered last night in Chelsea at the SVA Theater. The haunting coming-of-age story centers on two childhood friends on a break from college who reunite in their New England hometown. It’s a sweltering, sticky summer, hence the title. Iris (Juno Temple) and Catherine (Julia Garner) find relief in the cooling waters of the local lake.<br />
<figure id="attachment_8444" aria-describedby="caption-attachment-8444" style="width: 990px" class="wp-caption alignright"><img data-recalc-dims="1" decoding="async" loading="lazy" class="wp-image-8444 size-full" src="https://i0.wp.com/www.dorriolds.com/wp-content/uploads/Juno-Temple.jpg?resize=825%2C545&#038;ssl=1" alt="juno temple" width="825" height="545" /><figcaption id="caption-attachment-8444" class="wp-caption-text">Juno Temple as Iris in &#8216;One Percent More Humid&#8217;</figcaption></figure><br />
<figure id="attachment_8443" aria-describedby="caption-attachment-8443" style="width: 990px" class="wp-caption alignright"><img data-recalc-dims="1" decoding="async" loading="lazy" class="wp-image-8443 size-full" title="Julia Garner Dorri Olds TFF" src="https://i0.wp.com/www.dorriolds.com/wp-content/uploads/Julia-Garner.jpg?resize=825%2C545&#038;ssl=1" alt="Julia Garner" width="825" height="545" /><figcaption id="caption-attachment-8443" class="wp-caption-text">Julia Garner ©2015 Dorri Olds</figcaption></figure><br />
It soon becomes clear that their seemingly carefree skinny-dipping at the beautiful secluded spot, runs deeper. Iris and Catherine are obviously troubled. Sensitively written and directed by Liz W. Garcia, the town and its characters are so palpable, filled with realistic details. I felt like she intimately knew this world.<br />
“I grew up in Ridgefield, Connecticut,” said Garcia, “and was haunted by events in that town. I wrote <em>One Percent</em> to get these characters out of their dilemma.”<br />
The beauty of this indie is its slow reveal. Under Garcia’s direction, the camera zeros in on hints, telling the story through breadcrumb snippets. In one scene, the two actresses subtly convey a hint of sabatoging their well-being. Iris, chain-smoking, confides to Catherine that she’s having amazing sex.<br />
But, instead of bubbly, she’s under pressure. The weight is knowing the affair is ill-advised. “I’m seeing my thesis advisor. I’m sleeping with him. He’s married.” Her professor is played by the magnetic Italian actor Alessandro Nivola.<br />
In another scene we witness Catherine, drunk, in a bar, throwing herself at the brother of what we learn later is an important connection. But eventually, the viewer discovers he’s manipulating Catherine to garner information that will sink her.<br />
Details of the girls’ shared grief boils to the surface, and we see that this is more than typical college-aged angst. They are wading into a torrential storm of self-destruction. Every action they take—pot, pills, alcohol, obsessive sex—is an attempt to feel better. They’re numbing themselves because they can find no absolution for guilt that rains down on them.<br />
<em>One Percent More Humid</em> is one of the fine offerings by women directors this year. Through the storytelling, Garcia gifts us with what’s lacking in so many blockbusters: the woman’s perspective. Temple and Garner rise to the level of A-list performers; they’re effervescent and make it look effortless.</p>
<h1>Showtimes:</h1>
<p><strong>Sun., April 23, 4:15pm, Cinepolis Chelsea 03</strong><br />
<strong>Mon., April 24, 7:45pm, Cinepolis Chelsea 01</strong><br />
<strong>Tues., April 25, 10pm, Regal Battery Park Theater 11</strong><br />
<em>Drama, 98 min.</em></p>
<p>The post <a href="https://dorriolds.com/one-percent-more-humid-juno-temple-julia-garner/">Juno Temple and Julia Garner Shine in &#8216;One Percent More Humid&#8217; at TFF</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
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		<title>Tribeca Film Festival 2017 Celebrates Women</title>
		<link>https://dorriolds.com/tribeca-film-festival-2017-celebrates-women/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tribeca-film-festival-2017-celebrates-women</link>
		
		<dc:creator><![CDATA[dorriolds]]></dc:creator>
		<pubDate>Wed, 19 Apr 2017 00:25:45 +0000</pubDate>
				<category><![CDATA[Celebrities]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[Female Filmmakers]]></category>
		<category><![CDATA[Jane Rosenthal]]></category>
		<category><![CDATA[TFF]]></category>
		<category><![CDATA[TFF2017]]></category>
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		<category><![CDATA[Women Directors]]></category>
		<guid isPermaLink="false">https://www.dorriolds.com/?p=8405</guid>

					<description><![CDATA[<p>The 2017 Tribeca Film Festival begins Wednesday, April 19 and runs through Sunday, April 30. This is the 16th year of awe-inspiring offerings. Many thanks go to co-founders Jane Rosenthal and Robert De Niro for this long-standing celebration of New York City, movies, media, and activism.</p>
<p>The post <a href="https://dorriolds.com/tribeca-film-festival-2017-celebrates-women/">Tribeca Film Festival 2017 Celebrates Women</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The 2017 Tribeca Film Festival begins Wednesday, April 19 and runs through Sunday, April 30. This is the 16<sup>th</sup> year of awe-inspiring offerings. Many thanks go to co-founders Jane Rosenthal and Robert De Niro for this long-standing celebration of New York City, movies, media, and activism.<br />
The festival is known for its exquisite mix of pure entertainment and searing documentaries. Jane Rosenthal <a href="http://variety.com/2017/film/news/robert-de-niro-tribeca-film-festival-jane-rosenthal-donald-trump-1202022796/">said</a>, “You have to remember, the festival started as a way to help our community after 9/11 and to bring people together and to bring a community together. That kind of activism is the DNA of this festival, not just of us as individuals.”<br />
<figure id="attachment_8408" aria-describedby="caption-attachment-8408" style="width: 790px" class="wp-caption alignright"><img data-recalc-dims="1" decoding="async" loading="lazy" class="size-full wp-image-8408" src="https://i0.wp.com/www.dorriolds.com/wp-content/uploads/Jane-Rosenthal.jpg?resize=800%2C450&#038;ssl=1" alt="Jane Rosenthal" width="800" height="450" /><figcaption id="caption-attachment-8408" class="wp-caption-text"><em>TFF cofounder Jane Rosenthal. Photo by Dorri Olds.</em></figcaption></figure><br />
Ever since its inception, Rosenthal has championed the power of women by showcasing their work. Not only are there 25 female jurors this year, but out of 98 festival selections, 32 are helmed by female filmmakers. There has never been a more important time for solidarity among women.</p>
<h3>Highlights of 2017 TFF Feature Films Directed By Women</h3>
<h4><em>For showtimes click on film titles</em><br />
<img data-recalc-dims="1" decoding="async" loading="lazy" class="size-full wp-image-8406 alignleft" src="https://i0.wp.com/www.dorriolds.com/wp-content/uploads/One-Percent-More-Humid.jpg?resize=800%2C450&#038;ssl=1" alt="juno temple" width="800" height="450" /></h4>
<p><strong><a href="https://tribecafilm.com/filmguide/one-percent-more-humid-2017" target="_blank" rel="noopener">One Percent More Humid</a></strong> Iris (Juno Temple) and Catherine (Julia Garner), are overwhelmed with grief after a shared tragedy. They turn to using sex like a drug to numb out and spin out into self-destruction. The movie was written and directed by Liz W. Garcia.<br />
<strong><a href="https://tribecafilm.com/filmguide/flames-2017">Flames</a></strong> Real-life couple, filmmaker Josephine Decker and artist Zefrey Throwell, filmed their romantic relationship over a five-year period. Movie viewers experience the pair during their giddy in love phase and high on their creative juices. Viewers watch the couple&#8217;s sexual encounters, knowing there is another woman in the room, she is off-screen but recording every intimate detail through her camera. It&#8217;s an eerie and fascinating concept to watch a relationship from its gleeful beginning to its soured end.<br />
<img data-recalc-dims="1" decoding="async" loading="lazy" class="alignright size-full wp-image-8422" src="https://i0.wp.com/www.dorriolds.com/wp-content/uploads/Blame.jpg?resize=800%2C450&#038;ssl=1" alt="TFF" width="800" height="450" /><br />
<strong><a href="https://tribecafilm.com/filmguide/blame-2017">Blame</a> </strong>This is 22-year-old writer-director Quinn Shephard&#8217;s feature debut. She also plays the starring role of emotionally unstable Abigail who lands the lead in class for Arthur Miller’s <em>The Crucible</em>. Mean girl Melissa Bowman (Nadia Alexander) is pissed. The substitute drama teacher (Chris Messina) notices the hostile classroom environment and steps in to rally for vulnerable Abigail. The timing is tricky, though. The teacher&#8217;s marriage is strained, leaving him shaky, too.<br />
<img data-recalc-dims="1" decoding="async" loading="lazy" class="alignright size-full wp-image-8427" src="https://i0.wp.com/www.dorriolds.com/wp-content/uploads/Bombshell-Hedy-Lamarr-TFF.jpg?resize=800%2C536&#038;ssl=1" alt="Hedy Lamarr" width="800" height="536" /><br />
<strong><a href="https://tribecafilm.com/filmguide/bombshell-the-hedy-lamarr-story-2017">Bombshell: The Hedy Lamarr Story</a> </strong>Written and directed by Alexandra Dean, this is a new look at a Hollywood legend. Although known for her beauty, she had an incredible mind. Through the film we learn about her inventions, including a secret communication system for the Allies to beat the Nazis. She never received credit for her engineering innovations.<br />
<img data-recalc-dims="1" decoding="async" loading="lazy" class="alignright size-full wp-image-8428" src="https://i0.wp.com/www.dorriolds.com/wp-content/uploads/I-Am-Evidence.jpg?resize=800%2C466&#038;ssl=1" alt="Mariska Hargitay" width="800" height="466" /><br />
<strong><a href="https://tribecafilm.com/filmguide/i-am-evidence-2017">I Am Evidence</a> </strong>Every year in America, thousands of rape kits containing DNA evidence are left untested by police. Over 175,000 kits have been uncovered. Only eight states (Georgia, Colorado, Illinois, Kentucky, Texas, Pennsylvania, Ohio and New York) have passed laws requiring that rape kits be tested by police. As a result, decades worth of kits have been shelved, the cases are unsolved and the perps are free. Directed by Trish Adlesic and produced by Mariska Hargitay, Law &amp; Order SVU&#8217;s Olivia Benson.<img data-recalc-dims="1" decoding="async" loading="lazy" class="alignright size-full wp-image-8423" src="https://i0.wp.com/www.dorriolds.com/wp-content/uploads/Warning-This-Drug-May-Kill-You.jpg?resize=800%2C450&#038;ssl=1" alt="Warning" width="800" height="450" /><br />
<strong><a href="https://tribecafilm.com/filmguide/warning-this-drug-may-kill-you-2017">Warning: This Drug May Kill You</a> </strong>This timely documentary by Perri Peltz takes an unflinching look at the devastating effects of addiction through the stories of four families whose lives have been decimated by addictions that began with prescriptions to pain meds.<br />
To keep up TFF2017 highlights, follow <a href="http://twitter.com/DorriOlds">@DorriOlds</a> and <a href="https://twitter.com/hashtag/Tribeca2017">#Tribeca2017</a>.<br />
&nbsp;</p>
<p>The post <a href="https://dorriolds.com/tribeca-film-festival-2017-celebrates-women/">Tribeca Film Festival 2017 Celebrates Women</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
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		<title>After Surviving Rape, I Had an Abortion at Age 14</title>
		<link>https://dorriolds.com/after-surviving-rape-i-had-an-abortion-at-age-14/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=after-surviving-rape-i-had-an-abortion-at-age-14</link>
		
		<dc:creator><![CDATA[dorriolds]]></dc:creator>
		<pubDate>Sat, 25 Mar 2017 22:49:40 +0000</pubDate>
				<category><![CDATA[Essay]]></category>
		<category><![CDATA[Writing blog]]></category>
		<category><![CDATA[#MeToo]]></category>
		<category><![CDATA[#TimesUp]]></category>
		<category><![CDATA[Abortion]]></category>
		<category><![CDATA[Rape]]></category>
		<category><![CDATA[Teenager]]></category>
		<category><![CDATA[Woman's Day]]></category>
		<category><![CDATA[Women]]></category>
		<guid isPermaLink="false">https://www.dorriolds.com/?p=8340</guid>

					<description><![CDATA[<p>The night our rubber ripped, we'd made love in the woods. Soon after that I began putting on weight. My breasts were filling out like my older sister's and I thought, 'I'm a woman now.' One morning after a hot cup of cocoa, I felt queasy and ran to the bathroom. When I threw up, I figured it was the flu. But it turned out I was pregnant. </p>
<p>The post <a href="https://dorriolds.com/after-surviving-rape-i-had-an-abortion-at-age-14/">After Surviving Rape, I Had an Abortion at Age 14</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="http://www.womansday.com/relationships/a58064/rape-survivor-abortion-at-14/" target="_blank" rel="noopener noreferrer">Written for Woman&#8217;s Day</a></p>
<p>If I&#8217;d waited one more week it would&#8217;ve been illegal to perform the <span class="redactor-invisible-space" data-verified="redactor" data-redactor-tag="span" data-redactor-class="redactor-invisible-space">procedure. </span></p>
<p><span class="redactor-invisible-space" data-verified="redactor" data-redactor-tag="span" data-redactor-class="redactor-invisible-space">L</span>loyd and I were in love the night his condom ripped. &#8220;Oh no!&#8221; he yelped, his eyes wide with panic.</p>
<p class="body-el-text standard-body-el-text">&#8220;Don&#8217;t worry,&#8221; I said. &#8220;I can&#8217;t get pregnant from one little tear.&#8221; At the time, I really believed it.</p>
<p class="body-el-text standard-body-el-text">I was 14 and grateful to have a boyfriend. Lloyd was two years older and that made me feel so grown up. He seemed to have endless time to hang out. He&#8217;d dropped out of high school. Lloyd smoked lots of pot and showed me how to sink a basketball into a hoop. He sang love songs in falsetto and everything was better than the year before I met him.</p>
<p class="body-el-text standard-body-el-text">At 13, I&#8217;d been gang-raped by classmates. Massive hands had covered my mouth, knees dug into my hip bones. I was pinned on the grass field of a local cemetery. The weight of the boys stilled me from thrashing. Finally, it was over. I pulled my jeans and panties up from my left ankle. After that I ran in a circle, around and around, picking up speed. I heard one of them say, &#8220;This chick is nuts. Let&#8217;s go.&#8221;</p>
<p class="body-el-text standard-body-el-text">After that night, I didn&#8217;t stand still enough to feel anything. I kept secrets from my parents because I couldn&#8217;t bear the shame—they&#8217;d been right to say, &#8220;Stay away from those kids.&#8221; The humiliation of rape stayed inside. I bounced from one junior-high clique to another until I ran right into Lloyd&#8217;s arms.</p>
<p class="body-el-text standard-body-el-text">The night our rubber ripped, we&#8217;d made love in the woods. Soon after that I began putting on weight. My breasts were filling out like my older sister&#8217;s and I thought, &#8216;I&#8217;m a woman now.&#8217; One morning after a hot cup of cocoa, I felt queasy and ran to the bathroom. When I threw up, I figured it was the flu.</p>
<p class="body-el-text standard-body-el-text">A week later, my mother and I went shopping for bathing suits. Each one I&#8217;d picked to try on was too tight. My mother was staring at me. &#8220;Are you pregnant?&#8221; she whispered.</p>
<p class="body-el-text standard-body-el-text">I rolled my eyes at her and gave her a scowl. &#8220;Of course not!&#8221;</p>
<p class="body-el-text standard-body-el-text">But it got me to thinking, so the next day at school, I told a girlfriend everything. She said, &#8220;It sounds like you are. There&#8217;s a clinic where you can get tested.&#8221;</p>
<p class="body-el-text standard-body-el-text">When I told Lloyd, he teared up. &#8220;We&#8217;ll get married!&#8221; he said.</p>
<p class="body-el-text standard-body-el-text">I began thinking about a cute baby girl. We&#8217;d dress her in pink dresses with lace, matching bonnets, and socks. I imagined her face — her father&#8217;s mix of Native American and Black, and my Russian Jewish heritage meant her skin would be the color of cocoa and her hair shiny black.</p>
<div class="pullquote pullquote-C standard-article-body-el-pullquote-C anim-in-view in-view">
<h2>&#8220;Would Lloyd stay when we fought over diapers? Would he stay through fights over money? Would he spend the little we had on beer and pot?&#8221;</h2>
</div>
<p class="body-el-text standard-body-el-text">It only took a few days to realize we couldn&#8217;t afford the pretty outfits I imagined. I&#8217;d been babysitting for a year. Babies need cribs, toys, diapers, and food. My tiny income and meager allowance weren&#8217;t nearly enough. Lloyd lived with his aunt in the ghetto section of town. His mother was a chronic gambler and consistently absent from his life. He didn&#8217;t know his father.</p>
<p class="body-el-text standard-body-el-text">That same week, my suspicious mother, tipped off by my expanding waistline, scheduled a doctor&#8217;s visit for me under the pretense of an annual physical. She had always made appointments for me, so I didn&#8217;t think twice when she said, &#8220;Tuesday is your checkup.&#8221; But unbeknownst to me, she&#8217;d requested a blood test to find out if I was pregnant.</p>
<p class="body-el-text standard-body-el-text">The day before the abortion, I sat in math class so it appeared my hands were in my lap but really I held them to my belly. Through my fingers, I explained why I couldn&#8217;t have her. She&#8217;d wince with shame about her ninth-grade dropout mom. I couldn&#8217;t be sure she&#8217;d have a father. Would Lloyd stay when we fought over diapers? Would he stay through fights over money? Would he spend the little we had on beer and pot? Such serious thoughts for a 14-year-old but I&#8217;m glad I was smart enough to have them.</p>
<p class="body-el-text standard-body-el-text">When I asked Lloyd to come with me to the clinic, he shook his head &#8220;no&#8221; and wept. He promised he would pay his half of the money. For my portion, I used what I had saved from my clothing allowance. I would have to forfeit the new shirt and pants I&#8217;d planned to buy from the boutique I always passed on my walk to junior high school.</p>
<p class="body-el-text standard-body-el-text">After I found out where to go, I took a 30-minute taxi from my home in Port Washington, Long Island, to Hempstead, Long Island, to the Bill Baird Clinic. Everything there looked sterilized — white or metallic — even the receptionist&#8217;s coffee cup at the front desk looked shiny and new. Pleasant, smiling people led me around. I was given a thin, sleeveless, cloth robe, slippers, and a locker to put my stuff in. I took off my jeans, Keds sneakers, and orange T-shirt with an ironed-on Stevie Wonder. There were tiny cracks on Stevie Wonder&#8217;s dreadlocks from putting him in the dryer by accident.</p>
<div class="pullquote pullquote-C standard-article-body-el-pullquote-C anim-in-view in-view">
<h2>&#8220;I tried to block out the image of the baby&#8217;s face while I lay on a freezing cold table with my legs spread wide.&#8221;</h2>
</div>
<p class="body-el-text standard-body-el-text">The doctor said I was three months pregnant and if I&#8217;d waited one more week it would&#8217;ve been illegal to perform the abortion. Hearing that made me feel dizzy and sick. The nurse told me to lie down on the table and put my feet in the stirrups. She gave me a Valium. I felt numb but noticed goose bumps on my arms. I tried to block out the image of the baby&#8217;s face while I lay on a freezing cold table with my legs spread wide. The doctor said, &#8220;Don&#8217;t worry, this won&#8217;t hurt.&#8221;</p>
<p class="body-el-text standard-body-el-text">Won&#8217;t hurt?</p>
<p class="body-el-text standard-body-el-text">It still hurts.</p>
<p class="body-el-text standard-body-el-text">But even as the vacuum sucked out my insides and I imagined my baby screaming, I knew I was doing the right thing. My belly held only the fertilized egg; a fetus that might or might not become a little girl. If I&#8217;d let my pregnancy last full-term, I would never have been able to give her up. And even if she was pried from my arms and handed over for adoption, she would never know why her real mother hadn&#8217;t loved her enough to keep her. My life and her life would&#8217;ve been ruined. I would&#8217;ve had to drop out of school to care for her when I was only a child myself.</p>
<p class="body-el-text standard-body-el-text">Our family physician called soon after with the results of the covert pregnancy test. I told her I&#8217;d already had the abortion and begged her not to tell my parents, but because I was only 14, she said she could lose her license if she didn&#8217;t. My mother was furious when she got off the phone and berated me for lying to her. My father yelled, &#8220;Which one of them was it?&#8221; My mother slapped him and defended me, &#8220;She only has <em data-redactor-tag="em">one</em> boyfriend!&#8221;</p>
<p class="body-el-text standard-body-el-text">I had never even witnessed an argument between my parents and it felt like my world was exploding. Already so guilt-ridden, terrified, and depressed, I ran to my room. My relationship with my parents worsened after that, and wouldn&#8217;t begin to mend until more than a decade later. As the incident became a distant memory, we learned how to forgive each other.</p>
<p class="body-el-text standard-body-el-text">As much as I hated having an abortion, I felt then — and still feel — it was the right choice for me. What if the law had said that wasn&#8217;t my decision to make? The terror of telling my parents, my desperation, and strong will, would have sent me fleeing to find another way to abort. A back alley? A wire hanger? I might&#8217;ve died. Thank goodness, I had a choice.</p>
<p>The post <a href="https://dorriolds.com/after-surviving-rape-i-had-an-abortion-at-age-14/">After Surviving Rape, I Had an Abortion at Age 14</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
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		<title>Women&#8217;s March • Jan 21, 2017 New York City</title>
		<link>https://dorriolds.com/women-march/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=women-march</link>
		
		<dc:creator><![CDATA[dorriolds]]></dc:creator>
		<pubDate>Tue, 24 Jan 2017 10:34:37 +0000</pubDate>
				<category><![CDATA[Essay]]></category>
		<category><![CDATA[Olds News]]></category>
		<category><![CDATA[Writing blog]]></category>
		<category><![CDATA[2017]]></category>
		<category><![CDATA[Hillary Clinton]]></category>
		<category><![CDATA[HRC]]></category>
		<category><![CDATA[March]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[nyc]]></category>
		<category><![CDATA[Women]]></category>
		<guid isPermaLink="false">https://www.dorriolds.com/?p=8190</guid>

					<description><![CDATA[<p>A wire clothes hanger bearing the stark message: Never Again. The woman marching next to me saw this sign and confided that her mother had nearly bled to death after the self-administered abortion of what would have been her fourth child, one she could not take care of. My Life Matters — a heart-wrenching sign carried by a small African-American boy riding on his father's shoulders. His message is more important than ever in the months and years ahead.</p>
<p>The post <a href="https://dorriolds.com/women-march/">Women&#8217;s March • Jan 21, 2017 New York City</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>This essay was written for <a href="http://www.nycitywoman.com/new-yorkers-march-to-support-womens-rights/" target="_blank" rel="noopener">NY City Woman</a> by <a href="http://omasally.blogspot.com" target="_blank" rel="noopener">Sally Wendkos Olds</a>, my activist mother. We both voted for Hillary Clinton and were crushed when the impossible happened and Trump won the election. We both read the horrifying news about the Russian hacking and we both took our outrage and upset to the marches. Mom attended the Women&#8217;s March in NYC; I went to Washington, D.C. Among the many causes my Mom fought/fights for are the Women&#8217;s Movement and the <a href="https://www.dorriolds.com/an-activist-reflects-on-racism-50-years-later" target="_blank" rel="noopener">Civil Rights Movement</a>. Thank you for setting the great example to rise up for what is right. Donald Trump is #NotMyPresident and #ImStillWithHer.</em></p>
<h3>The Women&#8217;s March in New York City • January 21, 2017 by Sally Wendkos Olds</h3>
<p>A wire clothes hanger bearing the stark message &#8220;Never Again.&#8221; The woman marching next to me saw this sign and confided that her mother had nearly bled to death after the self-administered abortion of what would have been her fourth child, one she could not take care of.</p>
<p>&#8220;My Life Matters.&#8221; A heart-wrenching sign carried by a small African-American boy riding on his father&#8217;s shoulders. His message is more important than ever in the months and years ahead.</p>
<p>&#8220;Putin&#8217;s Poodle.&#8221; Donald Trump&#8217;s head on the body of a dog. What does the election of this man mean to the independence of our nation?</p>
<p>The signs held aloft during the marches in cities and towns across the United States and in nations around the globe were many and creative and inspiring &#8212; and emphasized why we &#8212; millions of us &#8212; were marching on the day after the inauguration of the least qualified person ever elected president of our country.</p>
<p>The Women’s Marches the day after the inauguration of Donald John Trump as President of the United States exceeded expectations in every way, in cities and towns across the United States and in nations whose citizens feared not only for our government but for theirs and for the world. Many more thousands of people took part than anyone had estimated (2.9 million in the U.S. alone), and more goodwill was shown, with one police officer in Manhattan saying on television there was not a single problem for all the hours that people were on the streets – other than handling traffic. Civility pervaded the streets throughout the day, even when the march was at a standstill because so many people joined from so many different directions.</p>
<p>The streets were filled for hours with citizens — and non-citizens — of every ethnicity, every color, every age from infants in arms to ancients in wheelchairs (and yes, many grandmothers and grandchildren). Many wore the ubiquitous “pussy hats” – hand-knitted pink hats with little ears — to hold up to ridicule President Donald Trump’s vulgar videotaped acknowledgment of his own sexual predations. A large contingent of men joined in the continual chanting with “Her body, her choice!”</p>
<p>My group, under the aegis of Eleanor’s Legacy (an organization inspired by Eleanor Roosevelt and dedicated to expanding the role of pro-choice women in government) met at 10 a.m. at Dag Hammarskjold Plaza at the United Nations. Although it was impossible to hear the speakers during the two and a half hours we stood there before we were able to begin marching, they must have said good things because there were periodic shouts and waves. Despite impatient chants of “Let Us March!” there was no pushing or elbowing, and people were unfailingly courteous in stepping aside to let small groups of friends and family stay together.</p>
<h3>SEE ALSO: March on Washington Video</h3>
<p><iframe src="https://www.youtube.com/embed/lXACtmp0yZ8" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>When I heard that women would be marching to protest the ascension to the presidency of the most unqualified person in our country’s history, I knew I wanted to be part of it. Why? When people asked me what good it would do, I could have quoted Mahatma Gandhi when he said “Whatever you do will be insignificant, but it’s very important that you do it.”</p>
<p>Or I could have quoted Harry Belafonte who called the street march “one of the great weapons of a democracy.” I wanted to be part of a global statement to let this administration know how many worldwide were shocked by what this singularly unqualified president has been saying, the people he has been appointing to his cabinet, and what this council of governing know-nothings plan to do.</p>
<p>I had not marched for a long time – since demonstrating for civil rights in Chicago, pro-choice in Washington, anti-war on Long Island, and probably others I can’t remember. Did these marches bring about the Voting Rights Law and the Fair Housing Law, the Roe v. Wade decision, and other changes in government? Yes, they moved public opinion and reached Congress and the Supreme Court and eventually led to changes in the laws of our land.</p>
<p>So what will be the real impact of this march? Nothing unless people involved take it further. And this we must do. We must build democratic structures at local levels in red, blue and purple states. We must engage our young people and inspire them to become leaders. We must educate ourselves and be alert to any encroachment of power upon the rights of the people. We must support the organizations carrying on this work – Planned Parenthood, The American Civil Liberties Union, the National Coalition against Censorship, others fighting for a better world – with our efforts and our pocketbooks.</p>
<p>We need imagination, effort, and knowledge to do this. Donald Trump talked about returning the government to the people. We the people must do this ourselves for ourselves and our fellow citizens, since his promises as put into practice so far will take it away from us. What can we do? We need to organize at local levels, we need to fight the gerrymandering that has paralyzed forces for progress, we need to urge reformers to run for school boards, for city councils, for judgeships, for elective offices at the most basic levels. Only then will our country be able to reap the democratic rewards for the many, not the few.</p>
<p>The post <a href="https://dorriolds.com/women-march/">Women&#8217;s March • Jan 21, 2017 New York City</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">8190</post-id>	</item>
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		<title>Businesswomen Are Becoming A Driving Force In The Marijuana Industry</title>
		<link>https://dorriolds.com/businesswomen-becoming-driving-force-marijuana-industry/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=businesswomen-becoming-driving-force-marijuana-industry</link>
		
		<dc:creator><![CDATA[dorriolds]]></dc:creator>
		<pubDate>Fri, 01 Jul 2016 23:44:23 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Olds News]]></category>
		<category><![CDATA[Writing blog]]></category>
		<category><![CDATA[Marijuana]]></category>
		<category><![CDATA[NORML]]></category>
		<category><![CDATA[Pot]]></category>
		<category><![CDATA[The Fix]]></category>
		<category><![CDATA[Women]]></category>
		<guid isPermaLink="false">https://www.dorriolds.com/?p=7731</guid>

					<description><![CDATA[<p>Female entrepreneurs are taking the reins in the budding marijuana industry. Primal Therapeutics, Women in Weed, Women Grow, Puff, Pass &#038; Paint, Mason Jar Event Group</p>
<p>The post <a href="https://dorriolds.com/businesswomen-becoming-driving-force-marijuana-industry/">Businesswomen Are Becoming A Driving Force In The Marijuana Industry</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="https://www.thefix.com/businesswomen-are-becoming-driving-force-marijuana-industry" target="_blank" rel="noopener"><br />
Written for The Fix</a></p>
<div class="top-teaser">
Women are more likely to hold executive positions in the fast-growing marijuana industry than in the general workforce.
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<div class="field field-name-field-image field-type-image field-label-above">
<div class="field-items">
<div class="field-item even">A recent <a href="http://www.theatlantic.com/business/archive/2016/06/women-turn-to-the-marijuana-industry-to-escape-stubborn-glass-ceilings/489008/" target="_blank" rel="noopener"><em>Atlantic</em> article</a> examined the budding marijuana industry&#8217;s appeal to female entrepreneurs. With the glass ceiling remaining a major problem throughout the global workforce, many women are creating marijuana-centric businesses where they can find unfettered success on their own terms. <a href="http://mjbizdaily.com/chart-of-the-week-women-holding-more-seats-in-the-executive-suite-at-cannabis-companies/" target="_blank" rel="noopener">Data</a> from <em>Marijuana Business Daily</em> states that women account for 36% of executives in the legal marijuana industry, yet they only make up 22% of senior managers in other industries.</div>
</div>
</div>
<div class="body">
Becca Foster, who works as an independent contractor with an in-home cannabis shop, told the <em>Atlantic</em>, “It’s a new chance for many women who have been in the corporate world who couldn’t get to the next level.”<br />
<em>The Fix</em> reached out to a few cannabusiness entrepreneurs. Jordan Person, 35-year-old executive director of Denver <a href="http://norml.org">NORML</a>, founded the successful company <a href="http://cannabismassagecolorado.com" target="_blank" rel="noopener">Primal Therapeutics</a>. “We are a mobile service,” she tells <em>The Fix</em>, “which is the best way to be compliant with the current law.” Yes, those laws can be tricky. All of these businesses have to work within the regulations.<br />
Person, who worked as a nurse for 15 years and a massage therapist for a decade, said, “When I was working at a medical marijuana dispensary, I decided to find my niche in the cannabis industry. And that’s how cannabis-infused massage therapy was born.” She explained that she combined her knowledge of nursing, anatomy, and physiology with what she already knew about the healing aspects of the plant.<br />
Her topical products contain a mix of essential oils and cannabinoids CBD (cannabidiol) and THC (tetrahydrocannabinol). The blended aromatic oils are used during her deep tissue massages.<br />
“I feel empowered every morning,” said Person. “This is an industry that encourages women to just go out and seize the day. Most industries are male-dominated but this one is not. It’s one of the most welcoming industries I have ever been a part of.”<br />
Heidi Keyes, the owner of Denver-based <a href="http://puffpassandpaint.com" target="_blank" rel="noopener">Puff, Pass &amp; Paint</a> told <em>The Fix</em>, “Marijuana became legal here and I was working as an artist. One of my friends said, ‘Hey, you know those wine and paint classes? You should do that with cannabis.’ So I put some feelers out and [business] picked up right away. It started as a very small business and now it’s in Denver, Portland and D.C. We’re going to be in Las Vegas, Arizona and California soon.&#8221;<br />
“What started as something I was passionate about and was fun to do, turned into a very successful business that is now nationwide,&#8221; said Keyes. &#8220;That’s pretty cool to be a part of. It’s a really exciting time to be in this industry. It has the highest amount of women CEOs and owners. It’s a billion-dollar industry and women aren’t asking for permission from men anymore to succeed. We’re coming up with great ideas and bringing them to fruition on our own.”<br />
Kendal Norris, the founder of Boulder’s <a href="http://www.masonjareventgroup.com" target="_blank" rel="noopener">Mason Jar Event Group</a>, described the rise in female entrepreneurs in the cannabis industry as a grassroots (pun intended) support effort. Norris told <em>The Fix</em>, “There are organizations like Women in Weed and Women Grow that saw the opportunity for women to become the driving force in the cannabis industry, and they’ve been very successful in bringing together female executives and women who are curious about the opportunities. Whatever questions I had, there were so many women to reach out to.”</p>
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<p>The post <a href="https://dorriolds.com/businesswomen-becoming-driving-force-marijuana-industry/">Businesswomen Are Becoming A Driving Force In The Marijuana Industry</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
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		<title>Danae Mines is the First Female Firefighter included in the FDNY Annual Calendar of Heroes</title>
		<link>https://dorriolds.com/danae-mines-first-female-firefighter-included-fdny-annual-calendar/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=danae-mines-first-female-firefighter-included-fdny-annual-calendar</link>
		
		<dc:creator><![CDATA[dorriolds]]></dc:creator>
		<pubDate>Fri, 18 Jul 2014 07:29:40 +0000</pubDate>
				<category><![CDATA[Celebrities]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[Danae Mines]]></category>
		<category><![CDATA[FDNY]]></category>
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		<category><![CDATA[Women]]></category>
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					<description><![CDATA[<p>The article was written for TheBlot Danae Mines, an 11-year veteran of Engine Co. 60 in the South Bronx, is Ms. March in the 2015 FDNY Calendar of Heroes. She is the first female to have ever made it into the calendar, and, get this: She’s got all her clothes on! It’s the men who are ... <a title="Danae Mines is the First Female Firefighter included in the FDNY Annual Calendar of Heroes" class="read-more" href="https://dorriolds.com/danae-mines-first-female-firefighter-included-fdny-annual-calendar/" aria-label="More on Danae Mines is the First Female Firefighter included in the FDNY Annual Calendar of Heroes">Read more</a></p>
<p>The post <a href="https://dorriolds.com/danae-mines-first-female-firefighter-included-fdny-annual-calendar/">Danae Mines is the First Female Firefighter included in the FDNY Annual Calendar of Heroes</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
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										<content:encoded><![CDATA[<p>The article was written for <a title="Danae Mines is the First Female Firefighter in the annual FDNY Calendar" href="http://theblot.com/first-ever-female-firefighter-heats-up-fdny-calendar-7722949" target="_blank" rel="noopener">TheBlot</a><br />
<span style="color: #0d0d0d;">Danae Mines, an 11-year veteran of Engine Co. 60 in the South Bronx, is Ms. March in the </span><a style="color: #0b6de3;" href="http://fdny-firezone.hostedbyamazon.com/dp/B00LH9BU5W" target="_blank" rel="nofollow noopener">2015 FDNY Calendar of Heroes</a><span style="color: #0d0d0d;">. She is the first female to have ever made it into the calendar, and, get this: She’s got all her clothes on! It’s the men who are scantily clad. Now there’s a switch, eh? It has always bugged me that in so many movies, women run around in their panties and bra (or less) while the men are fully clothed.</span><br />
<span style="color: #0d0d0d;">What an inspiring role model Mines is. She told </span><a style="color: #0b6de3;" href="http://www.cnn.com/2014/07/16/living/female-firefighter-calendar-fdny" target="_blank" rel="nofollow noopener">CNN</a><span style="color: #0d0d0d;">, “I think it’s great. I would love to inspire other women to come on the job.” There are only 41 women in the FDNY. That equals less than half of 1 percent. Mines said she wants to send the message to girls everywhere that you can do anything you set your mind to.</span></p>
<p style="color: #0d0d0d;">Mines <a style="color: #0b6de3;" href="http://www.nydailynews.com/new-york/woman-featured-fdny-calendar-heroes-article-1.1866827" target="_blank" rel="nofollow noopener">told the New York Daily News</a> that she has always wanted to be one of the firefighters featured in the annual calendar. “I was told that it was all guys,” said Mines. “They said if I made it in the calendar, I would look like a pinup girl.”</p>
<p style="color: #0d0d0d;">But, Mines said, “I wasn’t going to let anyone tell me I couldn’t do what I wanted to do. I was determined.” So, when she saw an open call for FDNY firefighters posted on the wall of her firehouse in the Bronx last year, she went for it.</p>
<p style="color: #0d0d0d;"><a title="Danae Mines is the first woman in the FDNY calendar, New York City" href="Mines%20told the New York Daily News that she has always wanted to be one of the firefighters featured in the annual calendar. “I was told that it was all guys,” said Mines. “They said if I made it in the calendar, I would look like a pinup girl.”  But, Mines said, “I wasn’t going to let anyone tell me I couldn’t do what I wanted to do. I was determined.” So, when she saw an open call for FDNY firefighters posted on the wall of her firehouse in the Bronx last year, she went for it." target="_blank" rel="noopener">Read more</a></p>
<p>The post <a href="https://dorriolds.com/danae-mines-first-female-firefighter-included-fdny-annual-calendar/">Danae Mines is the First Female Firefighter included in the FDNY Annual Calendar of Heroes</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">6501</post-id>	</item>
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		<title>Feminism is Evil and Rape Is Enjoyable</title>
		<link>https://dorriolds.com/feminism-evil-rape-enjoyable/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=feminism-evil-rape-enjoyable</link>
		
		<dc:creator><![CDATA[dorriolds]]></dc:creator>
		<pubDate>Fri, 11 Jul 2014 18:20:26 +0000</pubDate>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[Olds News]]></category>
		<category><![CDATA[#MeToo]]></category>
		<category><![CDATA[#TimesUp]]></category>
		<category><![CDATA[Anti-Abortion]]></category>
		<category><![CDATA[Feminism]]></category>
		<category><![CDATA[Me Too]]></category>
		<category><![CDATA[Rape]]></category>
		<category><![CDATA[Sexism]]></category>
		<category><![CDATA[Times Up]]></category>
		<category><![CDATA[Women]]></category>
		<guid isPermaLink="false">https://www.dorriolds.com/?p=6492</guid>

					<description><![CDATA[<p>Feminism is the scourge of society, at least according to some twisted sisters out there. The latest personal affront to us binders of women came in the form of “tips” as presented by Sylvia Ann Hewlett, author of “Executive Presence: The Missing Link Between Merit and Success” and “Princeton Mom” Susan Patton, author of “Marry ... <a title="Feminism is Evil and Rape Is Enjoyable" class="read-more" href="https://dorriolds.com/feminism-evil-rape-enjoyable/" aria-label="More on Feminism is Evil and Rape Is Enjoyable">Read more</a></p>
<p>The post <a href="https://dorriolds.com/feminism-evil-rape-enjoyable/">Feminism is Evil and Rape Is Enjoyable</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
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										<content:encoded><![CDATA[<p>Feminism is the scourge of society, at least according to some twisted sisters out there. The latest personal affront to us binders of women came in the form of “tips” as presented by Sylvia Ann Hewlett, author of “Executive Presence: The Missing Link Between Merit and Success” and “<a title="&quot;Princeton Mom&quot; Susan Patton says women should spend 75% of their time in college looking for a husband" href="http://www.cnn.com/2014/03/13/living/princeton-mom-book-marry-smart-matrimony" target="_blank" rel="noopener noreferrer">Princeton Mom</a>” Susan Patton, author of “Marry Smart.” I’m referring to a segment on FOX-TV’s “Fox and Friends.” You know, FOX, the TV station known for its high regard for women.<span id="more-6492"></span><br />
Author Hewlett places little importance on a woman’s mind. It’s all about wearing the right clothes. “Well-cut jeans with a colorful top,” said Hewlett with her frozen over-Botoxed eyebrows. When co-host Steve Doocy pointed out that jeans are not necessarily proper work attire, Hewlett shot back, “Here’s the thing, Steve, you need to fit in with flair.” That’s when co-host Brian Kilmeade chirped, “That&#8217;s a woman using her<br />
<em> That&#8217;s when I threw up in my mouth.</em><br />
In her book Hewlett wrote, “I realized I didn’t need to be brilliant in interviews, I merely needed to not stick out like a sore thumb.” Ahem, aside from using an exhausted cliché, the message to women is “Don’t worry your pretty little head about being smart, just wear the right clothing.” And notice the blank stare on Barbie-doll co-host, Elizabeth Hasselback throughout much of this discussion. When she did speak up it was to say, &#8220;We women are too good at getting the facts right. We aren&#8217;t as good [as men] at faking it till you make it.&#8221; Did she really say that? Oy vey, yes. Shoot me now.</p>
<h2>Wake-Up Call</h2>
<p>Do you know how hard women fought — and are still fighting — to be respected for our brains and not our perky breasts? How many times have we heard about Hillary Rodham Clinton’s hair or what she’s wearing while the clothes worn by male politicians aren&#8217;t critiqued. And Rodham Clinton is referred to as a bitch whenever she says anything passionately. Sadly, the world is so used to this pervasive belittling of women that we barely notice it.<br />
Now, don’t even get me started on &#8220;Princeton Mom&#8221; Patton. I’m embarrassed that she and I are the same gender. According to her, feminism is an “overcorrection,” a trip to the dark side. Her book promotes spending 75 percent of our time in college looking for a husband. Patton says that once you hit 30, chances are you’ll end up an ol’ spinster aunt talking to her cats.</p>
<h2>Duct Tape</h2>
<p>Ladies, isn’t it bad enough we have to put up with Tea Party men and Hobby Lobby and anti-abortionists and ignorance? Women, if you’re not pro-women, keep your fat trap shut. Let me remind you of some important stats. As for focusing 75 percent of your time in college, keep in mind that not only is Patton divorced, but so are 50 percent of those who married. And, as for Patton&#8217;s advice to run like Edith Bunker to Archie<span class="apple-converted-space"> with a drink and hubby&#8217;s slippers, keep this in mind: Women make up 47 percent of the U.S. work force. The average full time working woman makes $669 as compared to men’s $824. We also do more of the housework and much more of the childcare. Check this out from<br />
ThinkProgress.org</span></p>
<p style="margin: 0in; margin-bottom: .0001pt; background: white; vertical-align: baseline;"><span style="font-size: 12.0pt; color: black;">“The breakdown of what fathers do during the hours spent with their children is also telling, as they tend to spend more time on pleasurable activities. Mothers spend about two and a half times more hours tending to physical needs and about two times more on managerial and educational activities. But fathers spend nearly the same amount of time playing with their kids, perhaps the most enjoyable part of being with a child.</span></p>
<p>When it comes to housework, the tasks break down along traditional gender roles. Fathers spend more time doing repairs and maintenance — think lawn mowing and tinkering with cars — while mothers do more cooking and cleaning.”<br />
In closing, I leave you with&#8230;</p>
<h3>A Smattering of Disgusting Quotes About Women by Women</h3>
<p>“Who hijacked the term: &#8216;feminist&#8217;? A cackle of rads who want 2 crucify other women w/whom they disagree on a singular issue; it’s ironic (&amp; passé)” — Sarah Palin tweet<br />
“The Lord says, ‘Be submissive wives; you are to be submissive to your husbands.’” — Rep. Michele Bachmann (R-IA)<br />
“In the emergency room they have what’s called rape kits where a woman can get cleaned out.” —Rep. Jodie Laubenberg (R-TX)<br />
Life begins “from the first day of the last menstrual period of the pregnant woman.” —Gov. Jan Brewer (R-AZ).</p>
<h3>A Smattering of Disgusting Quotes About Women by Men</h3>
<p>“The facts show that people who are raped —who are truly raped—the juices don’t flow, the body functions don’t work and they don&#8217;t get pregnant. Medical authorities agree that this is a rarity, if ever.” —Rep. Henry Aldridge (R-NC)<br />
“As long as it’s inevitable, you might as well lie back and enjoy it.” —Clayton Williams (R-TX) on rape.<br />
“These Planned Parenthood women, the Code Pink women, and all of these women have been neutering American men and bringing us to the point of this incredible weakness. We are not going to have our men become subservient.” — Rep. Allen West (R-FL).<br />
“Consensual sex can turn into rape in an awful hurry. All of a sudden a young lady gets pregnant and the parents are madder than a wet hen and she’s not going to say, ‘Oh yeah, I was part of the program.’”— Rep. Roger Rivard (R-WI)<br />
“I would hope that when a woman goes into a physician with a rape issue, that that physician will indeed ask her about perhaps her marriage, was this pregnancy caused by normal relations in a marriage, or was it truly caused by rape.” Sen. Chuck Winder (R-ID).</p>
<p>The post <a href="https://dorriolds.com/feminism-evil-rape-enjoyable/">Feminism is Evil and Rape Is Enjoyable</a> appeared first on <a href="https://dorriolds.com">Award-Winning Writer and Graphic Designer</a>.</p>
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